In 1902 London, unhappily married Philip Marshall meets young Mary Gray, who is unemployed and depressed. Their deepening friendship, though physically innocent, is discovered by Philip's ... See full summary »
A man is found murdered, with witnesses convinced about the woman they saw leaving his apartment. However, it becomes apparent that the woman has a twin, and finding out which one is the killer seems impossible.
Olivia de Havilland,
Bachelor Harry Quincey, head designer in a small-town cloth factory, lives with his selfish sisters, glamorous hypochondriac Lettie and querulous widow Hester. His developing relationship ... See full summary »
In New York, after seven years in prison, the lawyer Max Monetti goes to the bank of his brothers Joe, Tony and Pietro Monetti and promises revenge to them. Then he visits his lover Irene ... See full summary »
Joseph L. Mankiewicz
Edward G. Robinson,
Thelma Jordon is in love with a jewel thief, Tony Laredo, and he persuades her to go live with her rich aunt, and steal her jewels. During the robbery, she shoots her formerly-rich aunt, ... See full summary »
Petty crook and cop-killer Martin Rome, in bad shape from wounds in the hospital prison ward, still refuses to help slimy lawyer Niles clear his client by confessing to another crime. Police Lt. Candella must check Niles' allegation; a friend of the Rome family, he walks a tightrope between sentiment and cynicism. When Martin fears Candella will implicate his girlfriend Teena, he'll do anything to protect her. How many others will he drag down to disaster with him? Written by
Rod Crawford <email@example.com>
The doctor that illegally treated Martin Rome (Richard Conte) was implicated by being paid in cash, in money reportedly taken from the lawyer Niles' safe. However Rome only finds jewelry and documents in Niles' safe, while emptying it. See more »
Victor Mature and Richard Conte deliver strong performances in this engrossing, uplifting story of the struggle between a cop and a criminal. Both men are presented as products of the city's Italian working class, and the film manages to make much of their divergent paths without being pedestrian or pedantic. The supporting characters are finely drawn and add an intriguing dimension to a plot-line that, otherwise, could have come off as time-worn and predictable. Hope Emerson is of particular interest as a disgruntled masseuse of rich old ladies. The movie is a marvelous example of the excellence that could emerge from 40's morality and is missing from much of modern filmmaking.
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