In 1902 London, unhappily married Philip Marshall meets young Mary Gray, who is unemployed and depressed. Their deepening friendship, though physically innocent, is discovered by Philip's ... See full summary »
A man is found murdered, with witnesses convinced about the woman they saw leaving his apartment. However, it becomes apparent that the woman has a twin, and finding out which one is the killer seems impossible.
Olivia de Havilland,
A woman secretly suffering from kleptomania is hypnotized in an effort to cure her condition. Soon afterwards, she is found at the scene of a murder with no memory of how she got there and seemingly no way to prove her innocence.
Bachelor Harry Quincey, head designer in a small-town cloth factory, lives with his selfish sisters, glamorous hypochondriac Lettie and querulous widow Hester. His developing relationship ... See full summary »
Petty crook and cop-killer Martin Rome, in bad shape from wounds in the hospital prison ward, still refuses to help slimy lawyer Niles clear his client by confessing to another crime. Police Lt. Candella must check Niles' allegation; a friend of the Rome family, he walks a tightrope between sentiment and cynicism. When Martin fears Candella will implicate his girlfriend Teena, he'll do anything to protect her. How many others will he drag down to disaster with him? Written by
Rod Crawford <firstname.lastname@example.org>
Midway through the film, while Rome is knifing Niles to death, the latter manages to pull a pistol from his desk drawer, but is only able to fire 1 shot through the ceiling; moments later we see Niles' secretary, who was eavesdropping just outside the door, is seen dropping dead, apparently from that bullet. See more »
From the opening strains of Alfred Newman's "Street Scene" Theme Music, which accompanies the Credits to the End title, "Cry of the City" invokes a tale of good and evil in the persons of Victor Mature & Richard Conte........Boyhood pals from the lower East Side of N.Y......One a Cop, the other a Gangster................But make no bones about it, this film is Conte's showcase and he makes the most out of it in a chilling performance as Martin Rome(Roma), a savage killer with no remorse at all.........He is persued throughout the film by Victor Mature as Leut. Candella, Chief of the Homicide Beaureau......and Mature gives a fine performance in the role...........Supporting players are highlighted by Hope Emerson in a performance of a lifetime, as a Female version of Conte.....their scenes together are cat & mouse......but which is which?.......For a special treat on the film noir craze of the 1940s; and a pure New York City feeling; do not miss "Robert Siodmack's"...."Cry of the City"-1948---20th. Century Fox........Respectfully submitted, sasheegm at the movies
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