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7 out of 10 people found the following review useful:
A film from the Val Lewton School, 14 December 2003
Author: shadejford (shadejford@yahoo.com) from Richmond, Virginia

Although the film's director and actor Onslow Stevens have done similar work for Universal, this film is more reminiscient of Val Lewton's horror thrillers for RKO. The film title itself refers to a black cat and many of the key scenes take place in dark, shadowy environments. Also, like Lewton, you don't see the monster until the very end. Interestingly, CREEPER features dream sequences that reminds me of RKO's noir films. CREEPER is from 20th Century-Fox. However, the story is typical of mid-40s Universal horror flicks while the mood is characteristic of Lewton's CAT PEOPLE films.

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8 out of 13 people found the following review useful:
Perfect Old Horror Movie, 3 January 2002
10/10
Author: Ed Moorehouse from Everett, WA

The Creeper is The Best Old Horror Movie that I can Think of. It is Perfect. I even Believe it Inspired Classics such as "The Fly". Of Course, the Movie is Rather Old and the Special Effects are not Something to brag about. But, All in All we Have a Classic Horror Movie which I Think should be More Famous than it is. 10 out of 10. Also Recommended: Return of the Fly.

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2 out of 4 people found the following review useful:
Minor item from the lull period in fantastic cinema., 9 June 2001
Author: jim riecken (youroldpaljim)

*** This review may contain spoilers ***

Note: This contains a *SPOILER*!! This minor item comes from the late 1940's, a lull period in fantastic cinema. The golden age of horror films had ended in mid 1946 when studios (for a host of reasons) had pretty much stopped cranking out fantastic thrillers, and the science fiction boom of the 1950's, which began with the release of DESTINATION MOON in 1950, had not yet begun. Almost all of the sparse handful of fantastic thrillers made during this period were minor items from minor studios. THE CREEPER is no exception. THE CREEPER is about mad scientist who experiments with serum derived from cats that turns him into cat like killer (a werecat?). The film opens well, with a rather atmospheric opening. However, only after a few minutes the film sinks to the perfunctory. Despite the visually interesting opening sequence the film looks dull and flat. Onslow Stevens laboratory is just a desk and table with a few beakers and test tubes. The lab for the rival scientists down the hall is even more drab looking. Most scenes begin or open with people leaving or entering rooms. As far as the story goes, I knew right from the beginning that Eduardo Ciannelli was not the killer but a red herring. I suspect the makers of this film realized there was still an audience for these kinds of thrills and since almost nobody else was making this kind of film, they figured they could make a film that just had to be "good enough". Audiences who went for this kind of stuff were not being catered to, so they were willing to sit through even a perfunctory thriller such as this.

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