6.9/10
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12 user 4 critic

Corridor of Mirrors (1948)

A man falls in love with a beautiful young woman and begins to suspect that he may have also loved her in a previous life.

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(novel) (as Chris Massey), | 1 more credit »
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Cast

Cast overview:
...
Paul Mangin
Edana Romney ...
Mifanwy Conway
Barbara Mullen ...
Veronica
Hugh Sinclair ...
Owen Rhys
Bruce Belfrage ...
Sir David Conway
Alan Wheatley ...
Edgar Orsen
Joan Maude ...
Caroline Hart
Leslie Weston ...
Mortimer
Hugh Latimer ...
Bing
John Penrose ...
Brandy
...
Charles
...
Lois
Mavis Villiers ...
Babs
Thora Hird ...
Visitor in Tussauds
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Storyline

A man falls in love with a beautiful young woman and begins to suspect that he may have also loved her in a previous life.

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Genres:

Drama | Mystery

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Release Date:

24 July 1948 (USA)  »

Also Known As:

Im Banne der Vergangenheit  »

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Aspect Ratio:

1.37 : 1
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Trivia

This was the first film directed by Terence Young. See more »

Connections

Referenced in Terence Young: Bond Vivant (2000) See more »

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User Reviews

 
A wonderful, interesting Gothic film
22 September 1999 | by (new york city) – See all my reviews

This is expert, expert film making, rich in atmosphere and mood, and easily as good as the best gothics and psychological 'horror' films of the forties such as Wuthering Heights, Rebecca, Jane Eyre, Seventh Veil, or the Val Lewton works. I don't think there was a single scene that did not hold my attention. I could not begin to enumerate all the little touches and flourishes of lighting, camera angle, dialog, story ideas, etc. but I particularly enjoyed the seamless interweaving of references to Lewis Carroll's Alice (when Edana Romney follows the white cat (white rabbit surrogate) through the labyrhinthine corridors of the mansion, or to Othello/Romeo and Juliet at the Venetian ball, or again to Cocteau's Beauty and the Beast. Some compare this film to to Cocteau (it's on the video box), with its ornate and detailed set, as well as its theme, but Corridor of Mirrors for all its fine acting, atmosphere, and mastery of technique is not genius. It is not poetically simple. But if you liked any of the films mentioned above, you will definitely enjoy watching dark, mysterious leading lady Edana Romney (who also co wrote the screenplay) search for the inner resources to free herself from the spell of an incredibly intense and psychologically compelling, but morbid, life.


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