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Coroner Creek (1948)

Passed  |   |  Western  |  1 July 1948 (USA)
6.8
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Ratings: 6.8/10 from 395 users  
Reviews: 14 user | 3 critic

A man is bent on taking revenge on those responsible for his fiance's death.

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(screenplay), (adapted from the novel by)
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Cast

Cast overview, first billed only:
...
Marguerite Chapman ...
...
...
Della Harms
...
Sheriff O'Hea
Barbara Read ...
Abbie Miles (as Barbara Reed)
Wallace Ford ...
Andy West
...
Ernie Combs
William Bishop ...
Leach Conover
Joe Sawyer ...
Frank Yordy
Russell Simpson ...
Walt Hardison
...
Stew Shallis
Lee Bennett ...
Tip Henry
Forrest Taylor ...
McCune
Phil Schumacher ...
Bill Arnold
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Storyline

With the help of Kate Hardison (Marguerite Chapman), the Coroner Creek hotel keeper, Chris Danning (Randolph Scott)learns that Younger Miles (George Macready)is the man who killed his fiancée. Chris is hired by rancher Della Harms (Sally Eilers)as her foreman, and plots his revenge against Miles. But one of the latter's henchmen cripples Chris' trigger-hand. Written by Les Adams <longhorn1939@suddenlink.net>

Plot Summary | Add Synopsis

Taglines:

The brass-knuckled SATURDAY EVENING POST story comes to the screen! (original print ad) See more »

Genres:

Western

Certificate:

Passed | See all certifications »
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Details

Country:

Language:

Release Date:

1 July 1948 (USA)  »

Also Known As:

Ton heure a sonné  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Color:

(Cinecolor)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Randolph Scott Trademark: Cinched up chin strap. See more »

Quotes

Younger Miles: When I pay a man, I expect him to be loyal enough to keep his mouth shut.
Chris Denning: And if you don't pay him?
Younger Miles: He still gets paid, some other way.
Chris Denning: [Speaking to a man in the bar, loud enough for everyone to hear] Hey, you there. You know Mrs. Miles? I took her home last night. She was drunk. Dead drunk.
[the others in the saloon begin to clear away]
Sheriff O'Hea: [Walking in the door] Hi, everybody. I'm serving notice on all you evildoers to make yourself scarce, because the majesty of the law has just arrived. Well, just ...
See more »

Connections

Referenced in Bye Bye Braverman (1968) See more »

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User Reviews

 
He's lost his spirit, you can see it in his eyes.
21 October 2009 | by (United Kingdom) – See all my reviews

Out in the remote Southwest a stagecoach his held up by renegade Apache Indians led by a mysterious white man. All bar one of the passengers are killed, the other, a female, is taken as captive but takes her own life rather than suffer any more indignities. That woman was the fiancée of cowboy Chris Denning, who upon learning of the news vows revenge and goes in search of the mysterious leader. A search that takes him to the small town of Coroner Creek...

Coroner Creek doesn't mess about, it's a tough, no nonsense Oater that may have flecks of humour, and pretty gal familiarities, but most assuredly thrives on its darkly revenge driven core. Directed by Ray Enright and starring genre supremo Randolph Scott as Denning, Coroner Creek is adapted by Kenneth Gamet from the novel written by Luke Short. Very much following the old biblical thematic of "an eye for an eye", Enright's film, produced by Harry Brown, boasts rousing fist fights, simmering sexual tensions and a riveting finale.

Scott is terrific, as he mostly always is in these genre pieces. Denning's sense of pain and hunger for revenge is perfectly brought home to the viewers by Scott, an actor who has the ability to express so much with darkened eyes and a down-turned mouth. And of course more crucially, Scott brings believability to his characters. You really wouldn't know he was 50 years of age whilst making this picture, such is the gusto he puts into the role. He's backed up by George Macready doing a solid line in scar faced villainy, the always enjoyable Wallace Ford as Denning's newly formed confidante Andy West, while Sally Eiles and Marguerite Chapman fill the important female roles with professional turns.

On the minor downside is the use of Cinecolor, a two colour process that fails to bring Fred Jackman's cinematography to life, whilst simultaneously giving the actors an odd looking sheen. DVD and TV viewers may find they have to tone down a couple of hues on this one to find a decent colour balance. Still it be a fine genre entry and one that is a must see for Randy Scott enthusiasts. 8/10


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