In the late 1800s, Miss Pilgrim, a young stenographer, or typewriter, becomes the first female employee at a Boston shipping office. Although the men object to her at first, she soon charms... See full summary »
A stubborn old farmer won't listen to any of his neighbors about how to improve the efficiency of his farm with modern methods, as he thinks "the old ways" were just fine. His three ... See full summary »
William D. Russell
Bio of swing band leader 'Benny Goodman' from age 10 (1919) to his landmark Carnegie Hall band concert in 1938. Not exactly historically accurate, but great music. Also, guest appearances ... See full summary »
Mary Scott learns she only has ten months to live before dying of an incurable disease. She manages to keep the news from her husband, Brad and daughter, Polly. She tries to make every ... See full summary »
Kay Kingsley, a sophisticated and successful songwriter in New York City. falls in love with a widowed rancher, Chris Heyward, she meets at the Madison Square Garden Rodeo and they get ... See full summary »
Expected to follow his opera star father into the business, but discontent with his life; a young man pursues a career in popular music and romances the aquatic-ballet dancer he met during his time in the service.
Tucson, Arizona, circa 1910: Emily Hefferan wants a divorce. In flashback, she recalls twenty years of marriage to Jim Hefferan, who sinks every cent of each new windfall in harebrained investments. Emily only keeps a roof over the family by taking in boarders...more and more of them. But Jim's latest deal goes just a little too far. Written by
Rod Crawford <firstname.lastname@example.org>
Celeste Holm's valiant struggle as pioneer and actress
Celeste Holm is superb as the center of this film, which is truly sky-high praise for her skills, because the character she plays deserves a sound kick in the pants. She is the wife of an ambitious and relentlessly self-seeking blow-hard (perfectly cast Dan Dailey) who would be homeless if it were not for her frugality, industry-- and vanity. Oh, she may not seem vain on the surface, but what other reason could there be for her to stand by, year after year, as her husband fails at get-rich-quick schemes, forcing her to take in boarders to pay the mortgage and support the family. Every time he schemes, she points out the practical problems, only to succumb when he gives her a compliment. Yes, singular. One. One compliment is enough to make her cave every time.
Marriages aren't like that. Flattery does not overcome a daily struggle to make ends meetcertainly not among Western settlers, which these characters purport to be. Which is another problem with this minimally filmed stage play. It tries to be tough-minded but can't raise itself above the sentimental.
Author Rosemary Taylor admits her memoir was mostly fiction. Which, of course, it has to be. What moron would accept this story as fact? Oh, right Robert Osborne, the round old duffer with the slurred speech who introduces TCM movies. It's not the first time I thought he was nothing more than a starry-eyed fan without an original thought, an iota of insight, or the least suggestion of critical insight.
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