6.6/10
128
6 user 1 critic

Chicken Every Sunday (1949)

Approved | | Comedy | 4 July 1949 (Sweden)
A rueful wife (circa 1910) recalls 20 years of her husband's financial fumbles, as she keeps a boarding house to support the family.

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Cast

Complete credited cast:
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Colleen Townsend ...
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Connie Gilchrist ...
William Callahan ...
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...
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Katherine Emery ...
Mrs. Mildred Lawson
...
Harry Bowers
Hal K. Dawson ...
Jake Barker
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Storyline

Tucson, Arizona, circa 1910: Emily Hefferan wants a divorce. In flashback, she recalls twenty years of marriage to Jim Hefferan, who sinks every cent of each new windfall in harebrained investments. Emily only keeps a roof over the family by taking in boarders...more and more of them. But Jim's latest deal goes just a little too far. Written by Rod Crawford <puffinus@u.washington.edu>

Plot Summary | Add Synopsis

Taglines:

HERE'S YOUR DISH (original print ad - all caps) See more »

Genres:

Comedy

Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

4 July 1949 (Sweden)  »

Also Known As:

Du poulet tous les dimanches  »

Filming Locations:

 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

John Payne, Maureen O'Hara, Henry Fonda, Jeanne Crain, and Florence Bates were considered for key roles. See more »

Quotes

Emily Hefferan: There are other homes in town that take in guests.
Rita Kirby: Yeah, I tried 'em all. Those dumps are full too. I mean... nice place you got here.
See more »

Connections

Followed by The 20th Century-Fox Hour: The Hefferan Family (1956) See more »

Soundtracks

Hello! Ma Baby
(uncredited)
Music by Joseph E. Howard
Played after Kirby leaves the dance hall
See more »

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User Reviews

 
Celeste Holm's valiant struggle as pioneer and actress
27 December 2009 | by (New York City) – See all my reviews

Celeste Holm is superb as the center of this film, which is truly sky-high praise for her skills, because the character she plays deserves a sound kick in the pants. She is the wife of an ambitious and relentlessly self-seeking blow-hard (perfectly cast Dan Dailey) who would be homeless if it were not for her frugality, industry-- and vanity. Oh, she may not seem vain on the surface, but what other reason could there be for her to stand by, year after year, as her husband fails at get-rich-quick schemes, forcing her to take in boarders to pay the mortgage and support the family. Every time he schemes, she points out the practical problems, only to succumb when he gives her a compliment. Yes, singular. One. One compliment is enough to make her cave every time.

Marriages aren't like that. Flattery does not overcome a daily struggle to make ends meet—certainly not among Western settlers, which these characters purport to be. Which is another problem with this minimally filmed stage play. It tries to be tough-minded but can't raise itself above the sentimental.

Author Rosemary Taylor admits her memoir was mostly fiction. Which, of course, it has to be. What moron would accept this story as fact? Oh, right — Robert Osborne, the round old duffer with the slurred speech who introduces TCM movies. It's not the first time I thought he was nothing more than a starry-eyed fan with trivia-level knowledge, but no original thoughts, not an iota of insight, or even the suggestion of objective critical skills.


4 of 11 people found this review helpful.  Was this review helpful to you?

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