Jordan Blake (a widower) is a successful Broadway Producer who has always been to busy for his children, Barbara and Jerry. Girlfriend, Carolina a musical comedy star, urges Jordan to take ... See full summary »
Trace discovers the body of his brother Jerry and confronts Mr. Sutton, the crook responsible for his brother's death. In self-defense, Trace shoots Mr. Sutton. Sutton sends his henchmen to... See full summary »
While working as a counselor at a summer camp, college-student Marjorie Morgenstern falls for 32-year-old Noel Airman, a would-be dramatist working at a nearby summer theater. Like Marjorie... See full summary »
The minister of the town has died and his son Chad has no tears for him. Sarah, who now calls herself Salome, is pregnant with Chad's baby, but Chad has no future, no job and no money. ... See full summary »
Tucson, Arizona, circa 1910: Emily Hefferan wants a divorce. In flashback, she recalls twenty years of marriage to Jim Hefferan, who sinks every cent of each new windfall in harebrained investments. Emily only keeps a roof over the family by taking in boarders...more and more of them. But Jim's latest deal goes just a little too far. Written by
Rod Crawford <firstname.lastname@example.org>
Faintly ridiculous piece of nostalgic film-flam concerning newlywed couple in early-1900s Tucson: he's the vice-president of the bank and she's the jovial sort of housewife who prides herself on knowing her husband better than he knows himself. Due to the husband's investments and charity, the twosome is forced to take in boarders immediately following their wedding and, as the years progress, their household turns into the neighborhood Room & Board, complete with children of their own. Nothing more than a contract picture for Fox, cheaply made and cheaply felt. Valentine Davies and director George Seaton based their script on both Rosemary Taylor's book and the later play by Julius J. and Philip Epstein, which some critics have since compared to the 1970s television series "The Waltons". But even "The Waltons" had a bit of vinegar underneath its homespun scenario; here, beaming wifey Celeste Holm plays mommy to her ne'er-do-well hubby, her children, her boarders...she even plays matchmaker for her high-strung daughter and the bashful kid upstairs who can't dance. Natalie Wood appears briefly as one of the tykes, and William Frawley adds some zip as a potential investor in a copper mine, but otherwise this rosy-hued hokum fails to stay the course. *1/2 from ****
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