It was Leonora Eames' childhood dream come true. She had married Smith Ohlrig, a man worth millions. But her innocent dream became a nightmare once she realizes the truth about her husband ... See full summary »
An all-knowing interlocutor guides us through a series of affairs in Vienna, 1900. A soldier meets an eager young lady of the evening. Later he has an affair with a young lady, who becomes ... See full summary »
Three stories about the pleasure. The first one is about a man hiding his age behind a mask to keep going to balls and fancying women - pleasure and youth. Then comes the long tale of Mme ... See full summary »
Vienna in the beginning of the twentieth century. Cavalry Lieutenant Fritz Lobheimer is about to end his affair with Baroness Eggerdorff when he meets the young Christine, the daughter of ... See full summary »
On a dark night of pelting rain, five men stage a well-planned train robbery and get away with a 10,000,000 dollar, nine-ton gold shipment. Dividing the massive haul into three concealed ... See full summary »
In the late 1800's, Franz Ferdinand, heir to the Austro-Hungarian empire, falls for Sophie Chotek, a Czech countess. He's already a problem to the Crown because of his political ideas; this... See full summary »
It was Leonora Eames' childhood dream come true. She had married Smith Ohlrig, a man worth millions. But her innocent dream became a nightmare once she realizes the truth about her husband - he is power mad and insane! Since he will not grant her a divorce, she leaves her life of luxury on Long Island and goes to work as a receptionist in an impoverished doctor's office in NYC's lower east side. After Smith deceives her into a temporary reconciliation, Leonora becomes pregnant. By the time she realizes she is expecting, she and one of the doctors, Larry Quinada (James Mason), have fallen in love. But she is again lured backed to her wealthy husband to give her child financial security. Her sadistic husband is hell-bent on keeping her and her child prisoner. What will happen to Leonora? Written by
Fiona Kelleghan <email@example.com>
The 1992 restoration of the film, done at UCLA Film and Television Archives, was financed by Martin Scorsese, who would direct a biopic of Howard Hughes - upon whose life the film is based - The Aviator (2004) a decade later. See more »
Bel Geddes finest hour in Ophul's melodrama about paranoia of unshackled capitalism
Of the many European emigres who helped shape American cinema, especially film noir, Max Ophuls brought one of the subtlest, most elusive sensibilities. Caught reflects this elusiveness: Part melodrama, part romance, part film noir, it's an unsettling film that burrows into complacent assumptions about freedom and success.
Department-store model Barbara Bel Geddes buys the notion that snagging a rich husband is the key to happiness. Once wed to disgustingly wealthy tycoon Smith Ohlrig (Robert Ryan), however, she finds herself a bird in a gilded cage whose owner is increasingly jealous, abusive and frightening. (The rumors are that Ohlrig was modelled on Howard Hughes, much as Charles Foster Kane was on William Randolph Hearst.) Finally she leaves him to work in the office of a poor pediatrician (James Mason), with whom she falls in love. But she and Ryan keep drifting back together, in a love-hate relationship that grows ever more doomed and desperate (there's a virtuoso scene in Mason's offices, at night, centering on her ominously empty desk)....
This is certainly Bel Geddes' most complex and fleshed-out screen performance, but the script suggests dimensions that she only hints at; though the part wouldn't work with a tigress like that other Barbara, Stanwyck, taking on Ryan in an equal grudge-match, an actress with a mite more edge might have shown how the caged wife came to draw courage and defiance precisely from her position as a powerful man's wife. (Bel Geddes is just too wholesome and likeable to bring off this ambiguity.) And the heavy paw of the studio descends as Caught comes to a close: The conclusion is too quick, loose ends flap in the breeze, and satisfaction remains incomplete. Ryan's dynamo performance -- he could really make the flesh crawl -- and Ophul's elegant direction compensate for a half-baked denouement imposed by a craven studio, lest anybody take personal or political offense.
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