A wanted gangster is both king and prisoner of the Casbah. He is protected from arrest by his friends, but is torn by his desire for freedom outside. A visiting Parisian beauty may just tempt his fate.
Howard Young is a coast guardsman who has been on shore duty for three years despite his efforts to be sent into action. His nearest approach to sea duty was on a harbor-moored life raft ... See full summary »
Pepe Le Moko leads a gang of jewel thieves in the Casbah of Algiers, where he has exiled himself to escape imprisonment in his native France. Inez, his girl friend, is infuriated when Pepe flirts with Gaby, a French visitor, but Pepe tells her to mind her own business. Detective Slimane is trying to lure Pepe out of the Casbah so he can be jailed. Against Slimane's advice, Police Chief Louvain capture Pepe in a dragnet, but his followers free him. Inez realizes that Pepe has fallen in love with Gaby and intends to follow her to Europe. Slimane knows the same and uses her as the bait to lure Pepe out of the Casbah. Written by
Les Adams <email@example.com>
Pepe Le Moko is a great film role. Jean Gabin introduced the character to screen in the same named French Flick in 1937.
Charles Boyer brought the moody mobster to Hollywood's ALGIERS in 1938.
But in 1948, Tony Martin and director John Berry collaborated to create the most dramatic and entertaining version of the downfall of the exiled jewel thief in CASBAH.
Casbah is a film very alive with energy, style, suspense and romance. Brilliant casting; Tony Martin plays the suave thief with easy conviction and delivers the Harold Arlen songs skill, charm and gusto.
Marta Toren was arguably the most beautiful woman in films, prior to the arrival of Audrey Hepburn.
Peter Lorre...I can't believe how powerful his complex performance is as the dedicated policeman, committed to the capture of the thief who became also his friend.
Yvonne De Carlo, Douglas Dick, Katherine Dunham, acting, singing, dancing, love, passion, treachery...where is this great film on DVD? John Berry and Jules Dassin were contemporary artists and spirits. Their films even show a similarity of style and influence, possibly each upon the other.
They were also fingered as American Pinko Fellow Travelers right about this time and both moved to England. Dassin prevailed and prospered, probably with some initial support from Darryl F. Zanuck. Berry also prevailed, but without achieving anything like Dassin's level of success or recognition. Still, CASBAH, for my money is, value for value, the most under-acknowledged film out of Hollywood.
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