6.3/10
291
12 user 9 critic

Casbah (1948)

The life, Loves and Adventures of a classic Casbah thief.

Director:

Writers:

(screenplay) (as L. Bush-Fekete), (screenplay) | 2 more credits »
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Nominated for 1 Oscar. See more awards »
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Cast

Cast overview, first billed only:
...
Inez (as Yvonne DeCarlo)
...
...
...
Gaby (as Marta Toren)
...
...
Louvain
...
Carlo
Katherine Dunham ...
Odette
...
Claude
Gene Walker ...
Roland
Curt Conway ...
Maurice
...
Willem (as Andre Pola)
Barry Bernard ...
Max
...
Madeline
Will Lee ...
Beggar
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Storyline

Pepe Le Moko leads a gang of jewel thieves in the Casbah of Algiers, where he has exiled himself to escape imprisonment in his native France. Inez, his girl friend, is infuriated when Pepe flirts with Gaby, a French visitor, but Pepe tells her to mind her own business. Detective Slimane is trying to lure Pepe out of the Casbah so he can be jailed. Against Slimane's advice, Police Chief Louvain capture Pepe in a dragnet, but his followers free him. Inez realizes that Pepe has fallen in love with Gaby and intends to follow her to Europe. Slimane knows the same and uses her as the bait to lure Pepe out of the Casbah. Written by Les Adams <longhorn1939@suddenlink.net>

Plot Summary | Add Synopsis

Genres:

Crime | Musical

Certificate:

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Details

Country:

Language:

Release Date:

April 1948 (USA)  »

Also Known As:

Casbah - Verbotene Gassen  »

Company Credits

Production Co:

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Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Eartha Kitt's film debut. See more »

Connections

Spoofed in The Cats Bah (1954) See more »

Soundtracks

For Every Man There's a Woman
(uncredited)
Music by Harold Arlen
Lyrics by Leo Robin
Sung by Tony Martin
also sung by Yvonne De Carlo
See more »

Frequently Asked Questions

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User Reviews

 
A musical film noir
9 September 2000 | by (USA) – See all my reviews

If you don't recall seeing this featured in any of the "That's Entertainment" anthologies, it's because this black-and-white postwar romance with songs is considerably darker and more sophisticated than the usual Hollywood musical. A considerable improvement over the 1938 Americanization of "Pepe Le Moko," the logy Charles Boyer vehicle "Algiers," this not only integrates a few well-chosen musical numbers featuring Martin, Yvonne de Carlo and the Katherine Dunham Dancers into the old story, but adds a refreshing note of humor and playfulness. Martin isn't bad at all as the surly, sexy gangster Pepe, who was always one-dimensional anyway. Peter Lorre is the dream Slimane that he should have played ten years earlier in the Boyer film (though Lorre's often credited as being in "Algiers," it was actually Joseph Calleia who played Slimane in that film), and Marta Toren's bittersweet siren is seductively reminiscent of Valli in "The Third Man."


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