The Roth family leads a quiet life in a small village in the German Alps during the early 1930s. When the Nazis come to power, the family is divided and Martin Brietner, a family friend is caught up in the turmoil.
When powerful publishing tycoon Earl Janoth commits an act of murder at the height of passion, he cleverly begins to cover his tracks and frame an innocent man whose identity he doesn't ... See full summary »
In 1932, a cop is killed and Frank Wiecek sentenced to life. Eleven years later, a newspaper ad by Frank's mother leads Chicago reporter P.J. McNeal to look into the case. For some time, McNeal continues to believe Frank guilty. But when he starts to change his mind, he meets increased resistance from authorities unwilling to be proved wrong. Written by
Rod Crawford <email@example.com>
The beer McNeal is drinking when he comes home, is Nectar Premium Beer of Chicago. No longer in business. See more »
When McNeal first visits Tillie, he has no camera nor a photographer with him. The next morning, city editor Kelly is holding a paper with a photo of Tillie scrubbing the stairs. However, it is possible that McNeal sent a photographer back after meeting Tillie, since when he first met her he wasn't sure she was the right person. See more »
What's the matter, won't the pieces fit together?
*Some* of them, but they make the wrong picture.
Pieces never make the wrong picture. Maybe you're looking at them from the wrong angle.
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Call Northside 777 is a genuinely engaging film. It has reliable James Stewart as an investigative reporter on a story about an alleged cop killer in prison. At first he believes that the prisoner is guilty but then becomes convinced otherwise and is willing to risk his professional reputation on clearing him. The pace of the film is told like a gritty docudrama with no dramatic musical underscore for effect. But more importantly, this film is interesting to watch for a time capsule of post WWII Chicago. The Chicago Times, the police precincts, the ethnic neighborhoods that existed then and a whole sequence of a wireless photo copier. This is generations before the fax machine was ever conceived. This film is important as Stewart was beginning his maturing film roles in the postwar period and taking on good narrative stories and less goodguy next door roles which were going out of fashion.
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