Homicide detective Mike Carter is tossed off the police force for insubordination and violating regulations. He reluctantly takes a job as bodyguard to Mrs. Gene Dysen, the owner of a local... See full summary »
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Homicide detective Mike Carter is tossed off the police force for insubordination and violating regulations. He reluctantly takes a job as bodyguard to Mrs. Gene Dysen, the owner of a local meat-packing plant. In investigating threats against her life, Carter begins unraveling the murder of a meat inspector at the plant, but not before he himself is framed for the murder of his former supervisor on the police force. Written by
Jim Beaver <jumblejim@prodigy.net>
Lawrence Tierney plays a homicide detective who gets kicked off the force for his bad temper. He lands a bodyguard job, but soon finds himself framed for murder. Although it's hardly a noir masterpiece, it's an enjoyable film that ranks among Fleischer's better efforts. The script (by a young Robert Altman, of all people!) is tight and lean, with some fun bits of business. The photography is not especially memorable, but it gets the job done and there are a few unusual close-ups. It's nice to see Tierney in a role that allows him to stretch a little more than his usual "psychotic heavy" parts, and he has a lively chemistry with the adorable Priscilla Lane. The whodunit aspect of the film isn't all that satisfying (you can guess who the bad guy is the moment you see him/her) but it's got some nice details and is sufficiently entertaining.
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Lawrence Tierney plays a homicide detective who gets kicked off the force for his bad temper. He lands a bodyguard job, but soon finds himself framed for murder. Although it's hardly a noir masterpiece, it's an enjoyable film that ranks among Fleischer's better efforts. The script (by a young Robert Altman, of all people!) is tight and lean, with some fun bits of business. The photography is not especially memorable, but it gets the job done and there are a few unusual close-ups. It's nice to see Tierney in a role that allows him to stretch a little more than his usual "psychotic heavy" parts, and he has a lively chemistry with the adorable Priscilla Lane. The whodunit aspect of the film isn't all that satisfying (you can guess who the bad guy is the moment you see him/her) but it's got some nice details and is sufficiently entertaining.