Cheerful outlaw Charlie Boles leaves former partners Lance and Jersey and heads for California, where the Gold Rush is beginning. Soon, a lone gunman in black is robbing Wells Fargo gold shipments. One fateful day, the stage he robs carries old friends Lance and Jersey...and notorious dancer Lola Montez, coming to perform in Sacramento. Black Bart and Lance become rivals for both Lola's favors and Wells Fargo's gold. Written by
Rod Crawford <firstname.lastname@example.org>
One of the newspaper columns (c. 1849) mentions automobiles. See more »
Charles E. Boles:
Lola, I've been working on something for two years. Something that will make me the biggest man in this part of the country. I'm within an inch of doing it now. You wouldn't want me to quit at this point.
The biggest man in the cemetery is still pretty small.
See more »
Can you be disappointed if you had no expectations in the first place? In this case: yes. This less than a classic western has an above average idea it fails to deliver. The triangle romance between the zorro- like masked villain, the posing- as- a- good- guy villain and the European dancer- and- mistress- to- the- emperor- of- Austria- turned- saloon singer is actually quite original.
The film, however, is not. The standard western imagery and unimaginative cinematography/direction condemns this film into the "forgettable"- category. Still it must be noted that there is no hero in this western: just two outlaws and a corrupt dame. Although they get their due in the "grand" finale, themes like that are not frequent in the westerns of the classic era but associated usually to westerns in the late 60's and 70's.
2 of 8 people found this review helpful.
Was this review helpful to you?