A man is found murdered, with witnesses convinced about the woman they saw leaving his apartment. However, it becomes apparent that the woman has a twin, and finding out which one is the killer seems impossible.
Olivia de Havilland,
The ambitious Stanton "Stan" Carlisle works in a sideshow as carny and assistant of the mentalist Zeena Krumbein, who is married with the alcoholic Pete. The couple had developed a secret ... See full summary »
Charley Davis wins an amateur boxing match and is taken on by promoter Quinn. Charley's mother doesn't want him to fight, but when Charley's father is accidentally killed, Charley sets up a... See full summary »
It was Leonora Eames' childhood dream come true. She had married Smith Ohlrig, a man worth millions. But her innocent dream became a nightmare once she realizes the truth about her husband ... See full summary »
Barbara Bel Geddes,
When powerful publishing tycoon Earl Janouth commits an act of murder at the height of passion, he cleverly begins to cover his tracks and frame an innocent man, whose identity he doesn't know, but who just happen to have contact with the murder victim. That man is a close associate on his magazine whom he enlists to trap this "killer" George Stroud. It's up to George to continue to "help" Janouth, to elude the police and to find proof of his innocence and Janouth's guilt. Written by
When producer Richard Maibaum first came on the set, director John Farrow who liked to intimidate people who worked with him, kept him at a distance by using a walking stick. Maibaum turned around, went to the props department and returned with a baseball bat. As if a spell were broken, the situation immediately improved and Maibaum and Farrow would go on to have an excellent working relationship. See more »
White clocks, yellow clocks, brown clocks, blue clocks. Oh, Miss York, where are the green clocks of yesteryear?
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Exceptional crime/suspense yarn has Milland as a crime reporter who's accidentally made himself the fall guy for a murder committed by his editor! Laughton plays the manipulative newsman with all his smarmy prowess. The direction is good, pacing tight, photography excellent. The supporting cast is also excellent and well directed -- particularly memorable are Elsa Lanchester as a small-time artist whose paintings provide witness to the murderer, and Harry Morgan as (believe it or not) the big boss' muscle. Macready also pitches in as Laughton's right hand man who nonetheless refuses to take the fall for the boss himself. Very nice continuity of theme of time, great atmosphere. One of the best of its kind.
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