An abandoned baby is raised by three men: the Rev. Andrews, cantor Feldman, and Officer O'Donnell. When Feldman and O'Donnell each find a woman to fall in love with, they both think of ...
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The Robinson family are spending two weeks of summer vacation at a resort in the Catskills. Older daughter Patti vies with her friend, Valeria, for the affections of Demi Armendez but Patti... See full summary »
Meg, a young ballet student, idolizes the school's top ballerina, the shallow Ariane Bouchet. Meg is distressed when she learns visiting prima ballerina Darina rather than Bouchet will play... See full summary »
An abandoned baby is raised by three men: the Rev. Andrews, cantor Feldman, and Officer O'Donnell. When Feldman and O'Donnell each find a woman to fall in love with, they both think of getting married and settling down. And each wants to adopt Midge officially and raise her without the other "fathers". And Midge has to find some way for them to all become a family again. Written by
Working titles of the film included Catherine (Unfinished Symphany) , Brothers of the East Side and Home Is Where the Heart Is . Jul 1947 HR news items indicate that producer Joe Pasternak purchased the rights to Miklos Laszlo's story in 1937. Information in the file on the film in the M-G-M Script Collection at the AMPAS library indicates that the initial script was based on a story, or possibly an unpublished novel, by Laszlo entitled "Catherine (Unfinished Sympathy)." Script materials also indicate that in 1942, "Brothers of the East Side," the title of Nanette Kutner's treatment, was submitted, based on an idea by Pasternak. Several treatments and outlines were written over the course of the next four years, variously titled "Brothers of the East Side," "Catherine" and "Home Is Where the Heart Is." Additional writers who worked on these treatments included Charles Larson and Warner Law, but the extent of their contributions to the completed film has not been determined. A Feb 1947 HR news item noted that actor Van Heflin was "pencilled in" for the part played by Robert Preston. A Jul 1947 news item indicated that M-G-M writer Leslie Kardos was set to make his directorial debut with this film. The picture marked the screen debut of Broadway actress Betty Garrett and opera star Lotte Lehmann. Although a Nov 1947 M-G-M News item noted that former Keystone Kop players Hank Mann and Heinie Conklin appear in the film as police officers, they actually played "drunks." According to a 1953 HCN article, writer Walter Abbott received a "very good settlement" from M-G-M following his $100,000 plagiarism suit against the company. Abbott claimed in the suit that the studio based Big City on his story entitled "Choir Boy." (AFI) See more »
Spare a thought for poor Lotte Lehmann having to appear in this tosh and for little Margaret O'Brian who can't ACT although apparently she can cry to order (without the director offscreen threatening to kill her puppy ).
The schoolteacher supposed to be the love object of two of the "fathers" has a manner that would curdle milk and her face is harder than polished oak.
Danny Thomas does his thing and then does it some more and whoa does it again (maybe this is the only Hollywood musical ever set in a synagogue?)and so do all the other MGM contract players but this film has NOTHING going for it - at all - da nada! No - hang on - it does have Betty Garrett being funny and charming.
So the one star I am giving this is for Betty....
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