An abandoned baby is raised by three men: the Rev. Andrews, cantor Feldman, and Officer O'Donnell. When Feldman and O'Donnell each find a woman to fall in love with, they both think of ...
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S. Sylvan Simon
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Jackie 'Butch' Jenkins
An abandoned baby is raised by three men: the Rev. Andrews, cantor Feldman, and Officer O'Donnell. When Feldman and O'Donnell each find a woman to fall in love with, they both think of getting married and settling down. And each wants to adopt Midge officially and raise her without the other "fathers". And Midge has to find some way for them to all become a family again. Written by
Although there was not a soundtrack album, MGM issued a 78-rpm boxed album featuring Betty Garrett (making her screen debut), along with recording artists Kate Smith (intoning her trademark "God Bless America," written by Irving Berlin), Art Lund and Hal McIntyre's Orchestra. From RCA Victor came two releases by cast members: a 78-rpm album by the illustrious soprano who had retired from the Metropolitan Opera, Lotte Lehmann (singing "God Bless America" in the movie and commercially for RCA Victor); and a single by The Page Cavanaugh Trio of "Ok'l Baby Dok'l" (music and lyrics by Inez James and Sidney Miller) - performed here without Betty Garrett, who shared the soundtrack version and then made her own studio cut with Hal Mooney and His Orchestra for MGM Records to include on its album and also issue as a single. See more »
"Your song was super-duper...and I think you're super-duper, too!"
Five writers worked on this unrelieved hokum about an abandoned baby girl on New York's East Side taken in by a Jewish cantor and his mama, watched over throughout her young life by the cantor and his buddies, a Catholic Reverend and a Protestant policeman (no atheist derelicts for this kid!). When the boys suffer a falling-out and go to court to decide who should raise the child, the decision should be overwhelmingly obvious but isn't (not even to the judge!). Margaret O'Brien plays the girl at grade-school age, but she seems too old to be getting her first tummy-ache and playing matchmaker for her bachelor fathers. The exceedingly thin story is padded with inappropriate song interludes, narration from O'Brien (as if she were reading from the Junior Miss section of the Sears & Roebuck catalogue), and a schoolroom full of annoying children who shoot mischievous looks at each other when Danny Thomas sings "Am I Blue?" to their teacher. The end card makes a claim that the film is meant for 'people who like people,' yet there's nobody on-screen who merits much interest. The adults act like teenagers in the throes of puppy love, while O'Brien appears ready to burst out of her training bra. *1/2 from ****
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