During the 1850s, crooked lumber syndicate man Beauvais tries to take over the local mill while Sequin, the sensual owner of a gambling riverboat, tries to control the heart of Mississippi lumberjack Dan Corrigan.
At the end of the Civil War, Southern beauty Belle Shirley, indignant at the way Yankees treat the Southerners, marries Confederate guerrilla leader Sam Starr and continues to raid Union towns, becoming a symbol of Southern resistance.
The story involves an overland journey through hostile Cheyenne territory to rescue two white women captured by the Cheyenne. One has turned renegade and is not anxious to be rescued as she... See full summary »
When Bob "Bitter Creek" Yauntis (Rod Cameron)is accused by Belle Starr (Isabel Jewell), Queen of the outlaws of Cherokee Flats, of disobeying her orders and killing the local Marshal, he is enraged and kills her. He takes charge of the gang. The new Marshal, Tom Jackson (George Montgomery), meets Rose (Ruth Roman), Belles's daughter who thinks Tom is responsible for her mother's death. He sets out to track down the gang and prove his innocence to Rose. Written by
Les Adams <firstname.lastname@example.org>
Belle Starr's Daughter shows the team trying to ease out of the then doomed cowboy B movie market - three sort of stars, reasonable production values and a plot with some attempt at resonance and shading of the characters.
Cameron proved surprisingly effective as the bad guy. He did a similar turn in a Hitchcock TV episode and the two can be considered his best work. Wally Ford is always good value and the rest get by, with Montgomery suitable as a straight arrow law man and Roman young and appealing. Isabel Jewel is a surprise, after all her dewy innocent parts of the thirties and the piece is strong on welcome character faces - Kemper, Lambert, McDonald and the rest.
The action staging is excellent and the setting adequate, even though most of the scenes are shadowless over lit. Nice touches like the menacing night "This street was full of horses" or the final "I'm hit too." Lesley Seylander proved one of the few of the B movie directors able to deliver more ambitious work.
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