Two days before Marian and Ned are to be married, he is killed by the husband of a woman he was seeing on the side. Marian becomes withdrawn and they send her to the Canadian Rockies for ... See full summary »
Alfred E. Green,
Dozens of star and character-actor cameos and a message about the Variety Club (show-business charity) are woven into a framework about two hopeful young ladies who come to Hollywood, ... See full summary »
Olga San Juan,
Seriously ill, concert pianist Karen Duncan is admitted to a Swiss sanitorium. Despite being attracted to Dr Tony Stanton she ignores his warnings of possibly fatal consequences unless she ... See full summary »
André De Toth
Navy Lt. Richard Perry becomes an undercover man out to discover the leaders of a group of well connected men who pull off bank robberies during the McKinley administration (early 20th ... See full summary »
William A. Seiter
Polly Fulton is the only daughter of rich industrialist B.F. Fulton. She is about to marry the man of her dreams, attorney Robert Tasmin, when she meets the intellectual Thomas Brett. They fall in love and soon they marry. Brett has always been opposed to the lavish lifestyle of the rich, and the anger he feels, when he realizes that he has through his marriage become one of the wealthy, is turned against his wife. Written by
This film received its initial television broadcast in New York City Tuesday 2 April 1957 on WCBS (Channel 2); but it's first Los Angeles telecast did not take place until Sunday 19 January 1958 on KTTV (Channel 11); in San Francisco it was first telecast 8 March 1958 on KGO-TV (Channel 7). See more »
The original book about a tycoon's daughter marrying a left-wing economist was one of John P. Marquand's less cheerful novels. The plot had the economist taking a high-ranking civilian job in World War II while his one-time "establishment" rival joined the military and was given a dangerous assignment. Some critics attacked the book as a smack at liberals' love of country, while its defenders saw it as an antidote to wartime stories that celebrated the "common man" as the only true patriot. The movie glides over all that serious business, changing the class conflicts from serious issues to mere impediments to true love. While preserving a considerable number of the book's situations and even large chunks of its dialogue, the movie changes everything that's important, turning the couple's serious marital problems into simple misunderstandings. The result is a mostly dull romance, with Heflin and Stanwyck showing little chemistry. It would have been better if the filmmakers had gone further and turned the story into a comedy.
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