French filmmaker Rene Clement presents Alan Delon as a petty criminal on the run from the underground. On the Rivera, he seeks refuge in a flophouse whose soup line is served by Jane Fonda ... See full summary »
St. Vincent de Paul struggles to bring about peace and harmony among the peasant and the nobles in the midst of the Black Death in Europe, carrying on his charitable work in the face of all... See full summary »
Henri, the Man from Nantes, comes back to his country after a successful stay in the United States, where he was working for Liski, the drug dealer. With the fame of being a tough guy ... See full summary »
Two shoeshine boys in postwar Rome, Italy, save up to buy a horse, but their involvement as dupes in a burglary lands them in juvenile prison where the experience take a devastating toll on their friendship.
Vittorio De Sica
Andre Laurent, the captain of a tugboat, married Yvonne ten years ago. She has a heart disease but does not want to tell him. She dreams he quits the job for they can live quietly. One ... See full summary »
Pépé le Moko is a gangster from Paris that hides in Algier's Casbah. In the Casbah, he is safe and is able to elude the police's attempts to capture him. But he misses his freedom, after ... See full summary »
Henri Chatelard is well in his forties, owns a restaurant and a cinema in the city, and appreciate women. When he meets Marie, a 18ish stronghead who just lost her father in a small ... See full summary »
Coming just after "les maudits" ,perhaps René Clément's best film -and of course totally overlooked-,"Le mura di Palapaga" aka "Au-delà des Grilles" displays the same respect for the audience as far the languages are concerned.Italians speak Italian between them,and Gabin speaks French with Isa Miranda.There the comparison ends.
For "Au Delà-des Grilles" highly praised at the time, lauded far beyond its station,and incomprehensibly awarded at the Festival de Cannes ,has not worn well.The screenplay borrows lots of ideas from "Pépé le Moko" ,Duvivier's masterpiece (1937) and the atmosphere tries to capture that of the Italian neo-realism .Gabin does not seem to be interested in his part -he had played this kind of role of the good-guy-with-policemen-hot-on-his-heels many times before ;outside "Pepe" there 's also "La Bandera" "Quai des Brumes" "Le Recif de Corail" ,etc.Isa Miranda is the stand-out but in that context,it does not mean much.Try to see "les Maudits"!
7 of 11 people found this review helpful.
Was this review helpful to you?