6.7/10
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Anna Karenina (1948)

Approved | | Drama, Romance | 27 September 1948 (UK)
A married woman's affair with a dashing young officer has tragic results.

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Writers:

(screenplay), (screenplay) | 1 more credit »
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Anna Karenina (1935)
Certificate: Passed Drama | Romance
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Anna Karenina is a young wife of an older husband. She has an affair with the handsome Count Vronsky. By following her desires Anna complicates her life.

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Anna (Marceau) is a wife and mother who has an affair with the handsome Count Vronsky (Bean). Based on the novel by Tolstoy.

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Divorce lawyer Everard Logan thinks the woman who spent the night in his hotel room is the erring wife of his new client.

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Anna Karenina (TV Movie 1985)
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    1 2 3 4 5 6 7 8 9 10 6.2/10 X  

Tragic Anna leaves her cold husband for dashing Count Vronsky in 19th-century Russia.

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Love among the Forsytes is strange, full of tradition, melancholy and gold digging in this film treatise on Victorian-age rigidity and vestiges of a flawed society.

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    1 2 3 4 5 6 7 8 9 10 6.9/10 X  

A vain businessman puts strains on his happy marriage to a rich, beautiful socialite by allowing himself be be seduced by a former girlfriend.

Director: Mervyn LeRoy
Stars: Barbara Stanwyck, James Mason, Van Heflin
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Cast

Cast overview, first billed only:
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Hugh Dempster ...
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Marie Lohr ...
Frank Tickle ...
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Niall MacGinnis ...
Levin (as Niall Macginnis)
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Martita Hunt ...
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Helen Haye ...
Mary Martlew ...
Ruby Miller ...
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Storyline

Stefan and Dolly Oblonsky have had a little spat and Stefan has asked his sister, Anna Karenina, to come down to Moscow to help mend the rift. Anna's companion on the train from St. Petersburg is Countess Vronsky who is met at the Moscow station by her son. Col. Vronsky looks very dashing in his uniform and it's love at first sight when he looks at Anna and their eyes meet. Back in St. Petersburg they keep running into each other at parties. Since she has a husband and small son, they must be very discreet if they are going to see each other alone. Written by Dale O'Connor <daleoc@interaccess.com>

Plot Summary | Add Synopsis

Taglines:

Vivien Leigh in the most magnificent love story ever written! See more »

Genres:

Drama | Romance

Certificate:

Approved | See all certifications »

Parents Guide:

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Details

Country:

Language:

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Release Date:

27 September 1948 (UK)  »

Also Known As:

Ana Karenina  »

Company Credits

Production Co:

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Technical Specs

Runtime:

| (cut) | (cut)

Sound Mix:

(RCA Sound System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

The failure of the original copyright holder to renew the film's copyright resulted in it falling into public domain, meaning that virtually anyone could duplicate and sell a VHS/DVD copy of the film. Therefore, many of the versions of this film available on the market are either severely (and usually badly) edited and/or of extremely poor quality, having been duped from second- or third-generation (or more) copies of the film. See more »

Crazy Credits

Opening credits prologue (from the novel): CHAPTER 1 "All happy families resemble one another, every unhappy family is unhappy after its own fashion. Confusion reigned in the home of the Oblonskys". See more »

Connections

Version of Anna Karenina (1910) See more »

Soundtracks

Ruslan and Lyudmila Overture
(uncredited)
Music by Mikhail Glinka
Arranged by Constant Lambert
See more »

Frequently Asked Questions

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User Reviews

Take a Novel Name, Make Up Your Own Story
1 October 2001 | by (United States) – See all my reviews

This film is like the adaptation of Wuthering Heights Goldwyn made in 1939. --Which is to say it cuts its indebtedness to its literary namesake to the bone so completely you'd swear the producers were paying for the use of the name based on percentage of fidelity to original source material. This is still a common practice, to take a hot literary property or should-be sacrosanct classic and completely wing it on your "interpretation" of the story. (See the recent refry of Scarlet Letter, for example.) Understand, I won't carp about the issue of fidelity, per se. My point is more like why even bother to use the name as a film title if you find it expedient for one reason or another to ditch the plot and refit the original character nuances.

The redeeming feature of this film lies in the way it pays off with a big, teary, dramatically oh-so right finish. You'd have to be pretty flinty not to feel it. --The sad, stunning finish seems, after all is said and done, the films reason for being. See it. 8 stars.


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