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Stefan and Dolly Oblonsky have had a little spat and Stefan has asked his sister, Anna Karenina, to come down to Moscow to help mend the rift. Anna's companion on the train from St. Petersburg is Countess Vronsky who is met at the Moscow station by her son. Col. Vronsky looks very dashing in his uniform and it's love at first sight when he looks at Anna and their eyes meet. Back in St. Petersburg they keep running into each other at parties. Since she has a husband and small son, they must be very discreet if they are going to see each other alone. Written by
Dale O'Connor <firstname.lastname@example.org>
Opening credits: Happy families are all alike; every unhappy family is unhappy in its own way. Everything was in confusion in the Oblonsky's House. See more »
Opening credits prologue (from the novel): CHAPTER 1 "All happy families resemble one another, every unhappy family is unhappy after its own fashion. Confusion reigned in the home of the Oblonskys". See more »
While certainly the vanities and indiscretions of upper crust Russia is examined by Tolstoy and it has been some time since I have read the lengthy novel, this version is certainly more memorable and effective than the Garbo version. I do agree with an earlier review in that Garbo herself, perhaps a bit too self-possessed and headstrong, could never represent the character of Anna, a woman carried away on passion, lust and impending tragedy.
Vivien Leigh is stunning in her facial expressions and vulnerable, almost exotic appearance, as we see her in a black gown, contrasted dramatically with other women who blend in the background to obscurity. The gowns and architecture of the era, the stark coldness and added texture of snowflakes, as a bas-relief to the portrait of Anna. Her close-ups particularly as she is in the train station in winter, foreshadowing her eventual fate.
Overall a beautiful film which is well worth viewing. Leigh is beautiful and tragic. 8/10.
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