Les amants de Vérone (1949)

Director:

André Cayatte

Writers:

William Shakespeare (play) and
André Cayatte (writer)
(more)

Release Date:

7 March 1949 (France)

Genre:

Drama

Plot:

Angelo, a glass-blower from Murano, and Georgia Maglia, the pretty daughter of a fallen fascist magistrate...

Plot Keywords:

Place Name In Title | Foreign Language Adaptation | Shakespeare's Romeo And Juliet | Based On Play

Cast

Serge Reggiani	...	Angelo (Romeo)
Anouk Aimée	...	Georgia Maglia (Juliette)
Pierre Brasseur	...	Raffaele
Louis Salou	...	Ettore Maglia
Martine Carol	...	Bettina Verdi
Roland Armontel	...	Blanchini
Charles Dechamps	...	Sandrini
René Génin	...	Le gardien du tombeau
Solange Sicard	...	Luccia Maglia
Claudye Carter	...	Clio
Marcel Pérès	...	Domini
Guy Favières	...	Le grand-père
Frédéric O'Brady	...	Un tueur
Max Dalban	...	Un tueur
Charles Blavette	...	Le patron de la verrerie
Philippe Lemaire	...	Benedetti
Claude Nicot	...	Leo
Marianne Oswald	...	Laetitia
Yves Deniaud	...	Ricardo
Marcel Dalio	...	Amedeo Maglia
rest of cast listed alphabetically:
Palmyre Levasseur	...	L'habilleuse (uncredited)
Franck Maurice	...	L'homme (uncredited)
Lucien Raimbourg	...	Le régisseur (uncredited)
Robert Rollis	...	La doublure (uncredited)

Directed by
André Cayatte

Writing credits
William Shakespeare		(play "Romeo and Juliet")
André Cayatte		writer
Jacques Prévert		dialogue

Produced by
Raymond Borderie	....	producer

Original Music by
Joseph Kosma

Cinematography by
Henri Alekan

Film Editing by
Christian Gaudin

Production Design by
René Moulaert

Set Decoration by
Camille Demangeat
René Petit
Henri Schmitt

Costume Design by
Rosine Delamare

Makeup Department
Paule Déan	....	makeup artist

Production Management
Jean Clerc	....	production manager
André Michaud	....	unit production manager
Albert Volper	....	unit manager

Second Unit Director or Assistant Director
Pierre Léaud	....	assistant director

Sound Department
Antoine Petitjean	....	sound

Special Effects by
Nicolas Wilcké	....	special effects (uncredited)

Camera and Electrical Department
Jean Bourgoin	....	director of photography: additional photography
R. Latouzet	....	assistant camera
Raymond Menvielle	....	assistant camera (as R. Menvielle)
Henri Tiquet	....	camera operator

Editorial Department
Christiane Stengel	....	assistant editor

Other crew
Léon Canel	....	production administrator
Margot Capelier	....	production secretary
Mildred Pease	....	script supervisor
Guy Seitz	....	technical agent

Production Companies

• Compagnie Industrielle et Commerciale Cinématographique (CICC)

Distributors

• Les Films Corona (1949) (France) (theatrical)
• Souvaine Selective Pictures (1951) (USA) (theatrical) (subtitled)
• Films Cinq Continents (1949) (Belgium) (theatrical)
• Pathé (????) (France) (theatrical)
• Sampo-Filmi (1951) (Finland) (theatrical)

Special Effects

• LAX Lab.

Other Companies

• Éditions Choudens  music publishing

Also Known As:

Runtime:

France:105 min

Country:

France

Language:

French

Color:

Black and White

Aspect Ratio:

1.37 : 1

Sound Mix:

Mono (Western Electric Sound System)

Certification:

Finland:K-16 | Sweden:15 | Finland:K-15 (new rating: 2001) | Finland:K-16 (original rating)

Filming Locations:

Studios de Billancourt - 50 Quai du Point du Jour, Boulogne-Billancourt, Hauts-de-Seine, France

Company:

Compagnie Industrielle et Commerciale Cinématographique (CICC)

Trivia:

In order to recapture the specific iridescent glow of Venetian palaces, talc was sprayed in the atmosphere and shooting proceeded before the powder fell down.

Yet another unjustly neglected "Old Wave" French film

A film version of "Romeo and Juliet" is being shot in Venice and Verona, two people involved in the production fall in love, and their actual romance parallels the fictional one. But it's not all as you'd expect. It's not the actors playing Romeo and Juliet who fall in love, but their non-professional stand-ins: he's a glass-blower, she's the daughter of a well-to-do family fallen on hard times (the father was a Fascist, and is now paying the price). The two are led to the studio separately more or less by chance by Bettina Verdi, the star of the production (there's an irony here I won't mention); neither has ever acted before, and there's no evidence that either one knows anything at all about the play before filming starts.

Georgia, the Juliet, has led a life of stifling confinement and falls in love with the somewhat more experienced Romeo because he's almost the first man she's seen; their love is all youthful passion, and is ultimately destroyed by the corrupt worldliness that surrounds them on all sides. But beyond that the real-world tragedy takes a life of its own and doesn't ape (at some times it scarcely resembles) Shakespeare's plot. It would be giving too much away to even say what form the tragedy ultimately takes. The screenplay is Jacques Prévert alluding to Shakespeare, not Jacques Prévert based on Shakespeare. (I don't speak French, and had to rely on subtitles; while the subtitles aren't particularly poetic, something of the originality of the dialogue survives translation.)

It's an attractive film with an attractive cast. They almost all overact, but that's because they're playing people who themselves overact, so the effect is natural. (The French can get away with this easily; English speakers who were this impassioned would be accused, in many cases unjustly, of being melodramatic.) Cayatte draws all he can out of the shooting locations (remember that Verona had been heavily bombed just four years earlier); the ruins and antiques and so on make the film look rich without making it oppressive or glutinous. Instead, it sparkles.