10 user 4 critic

Against the Wind (1948)

British agents engage in hazardous duty behind German lines.



(story), (adaptation) | 2 more credits »

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Cast overview, first billed only:
Jack Warner ...
Gisèle Préville ...
Julie (as Gisele Preville in opening credits)
John Slater ...
Emile Meyer
Peter Illing ...
Sybille Binder ...
Florence Malou
Hélène Hansen ...
Marie Berlot
Gilbert Davis ...
Andrew Blackett ...
Arthur Lawrence ...
Eugene Deckers ...
Marcel Van Hecke


Philip Elliot, refugee Belgian priest, reports to a secret school in London for spies and saboteurs behind German lines. After training, he and two others parachute into Belgium to help destroy a records office. This mission leads to German capture of an important resistance leader; four more agents (Emile, Max, Scotty, and Michele) go in on a rescue mission. But one of them is a traitor; and other things go wrong... Written by Rod Crawford <puffinus@u.washington.edu>

Plot Summary | Add Synopsis

Plot Keywords:

spy | parachute | belgium | traitor | 1940s | See All (24) »


They played macabre jokes - lively but deadly.


Action | War | Drama


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Release Date:

26 June 1949 (USA)  »

Also Known As:

Enantia ston anemo  »

Company Credits

Production Co:

Show detailed on  »

Technical Specs


Sound Mix:

(RCA Sound System)

Aspect Ratio:

1.37 : 1
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Did You Know?


The title of the film is taken from a quote from 'Childe Harold's Pilgrimage by Lord Byron- "Yet, Freedom! yet thy banner, torn, but flying. Streams like the thunder-storm against THE WIND" (Canto iv, Stanza 98). See more »

Crazy Credits

Closing credits epilogue: "Yet, Freedom! yet thy banner, torn, but flying. Streams like the thunder-storm against THE WIND" See more »


Hoo Hoo
Arranged by Ernest Irving
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User Reviews

True to its portrayal
4 October 2003 | by (london) – See all my reviews

Despite the usual budgetary restrictions, this manages to convey a sense of the danger and great sacrifice made by these brave people who fought for our freedom. Charles Crichton brings out the human story rather than the all-action tale of some movies. Scenes with John Slater visiting his wife seems slightly corny now, but then must have seemed so close to events (just 3 years after the end of WW2). And the outcome later makes it all the more poignant. I thought a movie like this would be good to show in schools, as a part of history lesson. I love all those character actors they were part of my childhood, and they were such real actors and people. (Take note Arnold, et al) And I still haven't got over Jack Warner's Max (our own Dixon of Dock green) who would have adam 'n' eved it!

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