Olivia Harwood, missionary's widow, meets charming Mark Bellis, artist and rogue, on the ship taking them both back to 1890s London. When Olivia opens a lodging house Mark becomes her ... See full summary »
Country squire Henry Maurier is patient with his wife Emily, a neurotic invalid, but her brother surprises Henry with his young mistress Doris. The same night, Emily dies of her chronic ... See full summary »
A sleazy but ingenious criminal masterminds a heist at a sold-out sports arena. He hires a motley crew of henchmen, seduces the middle-aged head cashier, and plans some brutal ruses to elude the law. But he's his own worst enemy.
Attila, the leader of the barbarian Huns and called by the Romans "The Scourge of God", sweeps onto the Italian peninsula, defeating all of the armies of Rome, until he and his men reach the gates of the city itself.
Judge Cooke, good husband and father, is known in court as Old Man Maximum. Cooke's daughter loves defender Dave Douglas, who hates Cooke's attitude toward defendants. Cooke's life shatters when he learns his wife has terminal brain cancer; as her pain worsens, he begins to consider mercy-killing, but that would place him in the position of a defendant. Written by
Rod Crawford <firstname.lastname@example.org>
"Nemo me impune lacessit," the Latin phrase quoted by Judge Wilder during the dinner party, means "No one attacks me unpunished." It is the motto of the Scottish Order of the Thistle, and is also used on certain Scottish and British royal coats of arms. See more »
While the setting was Pennsylvania, the outdoor highway scenes were obviously shot in California. See more »
This film's relentless plotline marches straight-ahead forward as you squirm, fascinated, in your chair. The story is the familiar one about the onset of terminal illness within a solid American family of the 1940s. Never mind that it delves into MGM-style sermonizing; the great real-life husband/wife team of Fredric March and Florence Eldridge portray the couple whose once-comfortable lives are now being separated by an unstoppable and fast-advancing disease. The helpless husband, the uncomplaining wife, and their final attempt to recapture happier days with a doomed weekend outing is the stuff of deep film drama indeed. The sense of onrushing darkness is tangible through the film-noir camera shadings of Hal Mohr (Captain Blood, Phantom of the Opera , The Climax), and Daniele Amfitheatrof's rich musical score. "An Act of Murder" makes a profound statement on the value, and the fragility, of life.
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