In one of his rare performances without Bud Abbott, Lou Costello plays a rubbish collector and inventor. When radiation in a nearby cave turns his girlfriend into a giantess, antics ensure ... See full summary »
The world of freight handlers Wilbur Grey and Chick Young is turned upside down when the remains of Frankenstein's monster and Dracula arrive from Europe to be used in a house of horrors. Dracula awakens and escapes with the weakened monster, who he plans to re-energize with a new brain. Larry Talbot (the Wolfman) arrives from London in an attempt to thwart Dracula. Dracula's reluctant aide is the beautiful Dr. Sandra Mornay. Her reluctance is dispatched by Dracula's bite. Dracula and Sandra abduct Wilbur for his brain and recharge the monster in preparation for the operation. Chick and Talbot attempt to find and free Wilbur, but when the full moon rises all hell breaks loose with the Wolfman, Dracula, and Frankenstein all running rampant. Written by
Gary Jackson <email@example.com>
According to the audio commentary by film historian Gregory W. Mank on the DVD commentary, this film was the second cheapest one made by Universal-International in 1948 and it became the studio's second highest-grossing film of that year. See more »
When Joan and Sandra are powdering their noses,Joan's purse is on the vanity table she is using. But when Sandra finds Joan's ID card,Joan's purse is now on Sandra's table in the other room. See more »
Top ten. Desert Island Disc. Universal's best-ever monster rally. Bud and Lou are at the top of their game, even Mrs Costello Snr said so. You get Bela Lugosi as Dracula for only the second and final time in his career. Lugosi is a joy; he plays Dracula as more suave, more sinister, and more disarmingly fatherly, than his continental goof-ball 1931 interpretation. Lon Chaney Jr on the other hand plays Larry Talbot as a TOTAL goof-ball, finally gone around the bend from the stress of his monstrous double-life; muttering dire warnings about imminent moon-rises that he then totally fails to heed; making anonymous life-or-death demands of clueless Lou via transatlantic phone call; fronting up to his nemesis Dracula at last, after pursuing him across continents, only to wilt shamefacedly before the Count's minor-league mind-games. Glen Strange looks great in the new streamlined makeup (alas for Jack Pierce, however) and has a thousand per cent more to do as the Frankenstein Monster, than in both his earlier 'cameo' appearances in the 'HOUSE OF' movies put together. The score is marvelous and director Barton keeps things moving at a cracking good pace. And what a straight man is Bud Abbott! He even gets to play a few lines with genuine drama here, once he realises Lou really isn't delusional. Highly recommended for Universal Monster fans, A&C fans, and movie fans in general.
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