Lester and Orville accidentally launch a rocket which is supposed to fly to Mars. Instead it goes to New Orleans for Mardi Gras. They are then forced by bank robber Mugsy and his pal Harry ... See full summary »
Two bumbling service station attendants are left as the sole beneficiaries in a gangster's will. Their trip to claim their fortune is sidetracked when they are stranded in a haunted house ... See full summary »
Harry and Willie buy the Edison Movie Studio in the year 1912 from Joseph Gorman, a confidence man. They follow Gorman to Hollywood where, as stunt men, they find him directing movies as Sergei Trumanoff and stealing the studio payroll.
Jonesy and Lou are in Algeria looking for a wrestler they are promoting. Sergeant Axmann tricks them into joining the Foreign Legion, after which they discover Axmann's collaboration with ... See full summary »
The world of freight handlers Wilbur Grey and Chick Young is turned upside down when the remains of Frankenstein's monster and Dracula arrive from Europe to be used in a house of horrors. Dracula awakens and escapes with the weakened monster, who he plans to re-energize with a new brain. Larry Talbot (the Wolfman) arrives from London in an attempt to thwart Dracula. Dracula's reluctant aide is the beautiful Dr. Sandra Mornay. Her reluctance is dispatched by Dracula's bite. Dracula and Sandra abduct Wilbur for his brain and recharge the monster in preparation for the operation. Chick and Talbot attempt to find and free Wilbur, but when the full moon rises all hell breaks loose with the Wolfman, Dracula, and Frankenstein all running rampant. Written by
Gary Jackson <firstname.lastname@example.org>
The animation sequences of Dracula-as-a-bat and Dracula-changing-from-bat-to-Dracula were done by Universal-International's animator, Walter Lantz (of Woody Woodpecker fame). See more »
In the House of Horrors, when the candle slides across the lid of the coffin as Wilbur reads the card, the wire that prevents the candle from sliding completely off the coffin can be seen. See more »
Why don't you get down to the police station and tell them you know the story of Dracula and Monster they'd be very interested.
I can't do that because then I'd have to tell them who I am and how I know what I know.
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Charles Bradstreet is credited as Dr. Stevens, but his character is never once called "Doctor." He is always referred to as Professor Stevens. See more »
When Abbott and Costello were good, there was no one to touch them. Here they were at maybe their best, working with a great script and their best-by-a-mile concept. I prefer "Time Of Their Lives" as a film, but this is their finest hour or so as comedians.
As someone who grew up watching A&C Sundays at 11:30 AM in the NY area back when Cheech and Chong were the comedy team of the moment, it's great to revisit this one and see how well it all stands up. It's also nice to think, with all the personal sadness and cinematic dreck he was forced to go through, that Bela Lugosi managed to bat 1.000 in playing his greatest role, as he only played the Count in two film classics, this and "Dracula."
Playing the monsters straight probably was the best idea the filmmakers had, but there's other good stuff here. These guys were not resting on their laurels. The scenes with Chaney, the final chase, the dames (two for Lou, none for Bud), the music, all of it well-thought-out and very effective. Would the film have been better with Karloff than Strange as the Monster? Probably not, as the Monster is the least interesting character of the monster trio by necessity of plot (he's weak and needs to be continuously charged up by Drac, necessitating the immediate operation on Lou.) Karloff would have detracted from Lugosi's role more than adding anything of his own. Besides, Strange is very good.
Too bad Vincent Price couldn't make it when Bud and Lou went up against the Invisible Man for real two years later.
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