After Custer and the 7th Cavalry are wiped out by Indians, everyone expects the worst. Capt. Nathan Brittles is ordered out on patrol but he's also required to take along Abby Allshard, ... See full summary »
Rio Grande takes place after the Civil War when the Union turned their attention towards the Apaches. Union officer Kirby Yorke is in charge of an outpost on the Rio Grande in which he is ... See full summary »
Aboard the freighter Glencairn, the lives of the crew are lived out in fear, loneliness, suspicion and cameraderie. The men smuggle drink and women aboard, fight with each other, spy on ... See full summary »
When his cattle drivers abandon him for the gold fields, rancher Wil Andersen is forced to take on a collection of young boys as his drivers in order to get his herd to market in time to ... See full summary »
In 1871, professional gambler John Devlin elopes with Sandra "Sandy" Poli, daughter of Marko Poli, an immigrant who has risen to railroad tycoon. Sandy, knowing that the railroad is to be ... See full summary »
Three outlaws fleeing a posse through the desert come upon a dying woman and her baby in a wagon. Before she passes away, she makes the men promise to take care of her baby and get it safely through the desert.
Three outlaws on the run discover a dying woman and her baby. They swear to bring the infant to safety across the desert, even at the risk of their own lives. Written by
Jim Beaver <firstname.lastname@example.org>
I changed my mind several times about the merits of this often neglected Ford Western. Despite the eloquent and persuasive praises by Gallagher, McBride, and Sarris, somehow it failed to win me over. However, having seen it recently I was genuinely struck by its ravishing cinematography, beautifully shot by Winton C Hoch, who would later photograph "The Searchers". The cinematography is astonishing and this is hardly surprising since Ford was a poet of images. If you disregard the film's religious and biblical passages and focus on its visuals, it becomes an inspiring, extraordinary work. To paraphrase McBride in his book on Ford, the simplicity of the film's emotion and sentiment is balanced by the sophistication of its visual style. For this reason, I think it is one of Ford's masterworks, but it is not for everybody.
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