A pinnacle of the Golden Age of Television, "Studio One" presented a wide range of memorable dramas and received 18-Emmy nominations and five wins during its prestigious nine-year-run on ...
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This live dramatic series featured original stories and adaptations of novels, plays, etc. during it's eight year run. During the first year, the show was sponsored by the Actor's Equity ... See full summary »
The misadventures of two of New York's finest (a Mutt and Jeff pair) in the mythical 53rd precinct in the Bronx. Toody, the short, stocky and dim-witted one either saves the day or muffs ... See full summary »
Based on a popular radio series, each show tells a different reporter's Big Story, a true story selected from newspapers across the United States. Comments from the actual reporter open and... See full summary »
Live dramatic shows featuring Hollywood stars. Initially, the show was a 30-minute weekly show but when it moved to NBC in August 1954, the show was extended to 60-minutes and the plays ... See full summary »
This live series featured adaptations of other works (novels, plays, etc.) plus original works for the show. It was primarily dramas but a few musicals also were presented. The show is ... See full summary »
Luis Van Rooten,
Starting out as a live show from New York City, "Omnibus" was hosted by Alastair Cooke and featured everything from discussions about science and the arts to original works by such ... See full summary »
A pinnacle of the Golden Age of Television, "Studio One" presented a wide range of memorable dramas and received 18-Emmy nominations and five wins during its prestigious nine-year-run on CBS. Showcasing some of the greatest talents of the era, this groundbreaking series created an enormous impact and still remains a treasured part of America's broadcasting history. Embracing the work of some of television's most iconic writers, directors, actors and technical artists, the Studio One Anthology features the complete 1954 original television production of "Twelve Angry Men" and is highlighted by early performances by Charlton Heston, Art Carney, Jack Lemmon and Leslie Nielsen as well as teleplays written by Rod Serling and Gore Vidal.
Having just seen "The Laughmaker" on a fascinating DVD, I feel compelled to correct some curious information in the previous review. First, the character that Gleason "plays" on his TV show is "The Poor Soul", not "Fenwick Babbitt". The two are similar, but the "soul" is a pantomime character. Second, and most bewildering in the review, Marian Seldes (who remains "stick thin" to this day) is in EVERY scene with Gleason. Except for one final scene towards the end, she doesn't appear WITHOUT him. Gleason, playing Gleason, is quite good; Carney can't help but be likewise. But it is Sally Gracie, as the girl singer who truly loves the Gleason character, who steals the show.
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