In 1902 London, unhappily married Philip Marshall meets young Mary Gray, who is unemployed and depressed. Their deepening friendship, though physically innocent, is discovered by Philip's ... See full summary »
Bachelor Harry Quincey, head designer in a small-town cloth factory, lives with his selfish sisters, glamorous hypochondriac Lettie and querulous widow Hester. His developing relationship ... See full summary »
Police surround the apartment of apparent murderer Joe Adams, who refuses to surrender although escape appears impossible. During the siege, Joe reflects on the circumstances that led him to this situation.
Barbara Bel Geddes,
While waiting at a train station, Nikki Collins witnesses a murder from a nearby building. When she brings the police to the scene of the crime, they think she's crazy since there's no body... See full summary »
Edward Everett Horton
Leopold Kroner, formerly of Colby Enterprises, is released after five years in prison for embezzlement. Andrew Colby, claiming that Kroner has threatened him, hires lawyer Bob Regan as a secret bodyguard. Sure enough, Kroner turns up in Colby's room with a gun, and Regan kills him. Then Regan, who sticks around to romance Colby's secretary Noel, begins to suspect he's been used. Written by
Rod Crawford <firstname.lastname@example.org>
The Web is one of dozens of forties thrillers featuring private detectives and the rich men who hire them, the beautiful women who love them, and the police, who invariably hamper their efforts to unravel the clues to intricate mysteries, the details of which are explained with astonishing clarity in the end, despite the fact that most viewers can scarcely be expected to keep track of all the evidence. This one is more elegant than most, with plush settings and striking photography. There's a touch of Laura here, thanks to the casting of Vincent Price and the character he plays, as well as a bit of the Chandler private eye cycle in the character of Edmond O'Brien's detective. Ella Raines makes a beautiful heroine, and Bill Bendix is on hand as the no-nonsense cop. Michael Gordon directs smoothly, and everything comes together in the end. There's nothing remarkable in The Web, which is just a cut above the generic, but it works like a Swiss watch.
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