| James Mason | ... | Michael Joyce | |
| Rosamund John | ... | Emma Wright | |
| Pamela Mason | ... | Kate Howard (as Pamela Kellino) | |
| Ann Stephens | ... | Ann Wright | |
| Morland Graham | ... | Clay | |
| Brefni O'Rorke | ... | Dr. Farrell | |
| Henry Oscar | ... | Coroner | |
| Jane Hylton | ... | Miss Marsh | |
| Sheila Huntington | ... | 1st Girl Student | |
| Susan Shaw | ... | 2nd Girl Student | |
| Peter Cotes | ... | Male Student | |
| Nuna Davey | ... | Mrs. Deva | |
| Judith Carol | ... | Joan Scott-Trotter | |
| John Monaghan | ... | U.S. Driver (as Jno. P. Monaghan) | |
| Maurice Denham | ... | Mobile Policeman | |
| Janet Burnell | ... | Sylvia | |
| Margaret Withers | ... | Party Guest | |
| Beatrice Varley | ... | Injured Girl's Mother | |
| Hélène Burls | ... | Farm Laborer's Wife (as Helene Burls) | |
| Howard Douglas | ... | Lorry Driver | |
| Richard Afton | ... | Lorry Driver's Mate | |
| Lyn Evans | ... | County Policeman | |
| rest of cast listed alphabetically: | |||
| Cyril Chamberlain | ... | Junior Doctor (uncredited) | |
| George Merritt | ... | Policeman (uncredited) | |
| Glyn Rowland | ... | Policeman (uncredited) | |
| John Stone | ... | Male Student (uncredited) | |
Directed by | |||
| Lawrence Huntington | |||
Writing credits(in alphabetical order) | ||
| Pamela Mason | (as Pamela Kellino) | |
| John Monaghan | screenplay (as Jno. P. Monaghan) | |
| John Monaghan | story (as Jno P. Monaghan) | |
Produced by | |||
| Betty E. Box | .... | associate producer | |
| Sydney Box | .... | producer | |
| James Mason | .... | producer | |
Original Music by | |||
| Bernard Stevens | |||
Cinematography by | |||
| Reginald H. Wyer | |||
Film Editing by | |||
| Alan Osbiston | |||
Art Direction by | |||
| Andrew Mazzei | |||
Costume Design by | |||
| Mattli | |||
Makeup Department | |||
| Nell Taylor | .... | makeup artist | |
Production Management | |||
| Antony Darnborough | .... | production manager | |
| Fraser Foulsham | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Basil Keys | .... | assistant director | |
Sound Department | |||
| Stephen Dalby | .... | sound recordist | |
| John W. Mitchell | .... | sound recordist (as John Mitchell) | |
| George Burgess | .... | sound supervisor (uncredited) | |
Camera and Electrical Department | |||
| Bernard Lewis | .... | camera (as Bernie Lewis) | |
| Cyril Stanborough | .... | still photographer (uncredited) | |
Editorial Department | |||
| Jean Barker | .... | cutter | |
Music Department | |||
| Muir Mathieson | .... | conductor: The London Symphony Orchestra | |
Other crew | |||
| J. Arthur Rank | .... | presenter | |
|
|
|
|
|
| Eye for an Eye | Presumed Innocent | So Sweet, So Dead | Inn of the Frightened People | Death Wish |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| IMDb Crime section | IMDb UK section |
James Mason in one of his last British films before accepting that contract with MGM and leaving for America plays a doctor who may have become too detached from life. A prominent brain surgeon he accepts the case of young Ann Stephens whose eyesight he saves with a delicate operation. In the process he falls in love with Ann's mother Rosamund John.
Both Mason and John are separated from their respective spouses and we never meet either of them in The Upturned Glass. But their relationship contains a mixture of guilt for both of them. Shortly after they end things, Mason hears that John falls to her death in her own home.
Mason had already met Pamela Kellino and formed a bad opinion of her almost immediately. She's Rosamund's sister-in-law and Stephen's aunt and she's a selfish materialistic woman, a regular Cruela DeVille in real life. She's easy too hate and Mason courts her to get close.
The film is told about 2/3 of the way in flashback as Mason lectures to a university class on the atypical murderer, the sane and logical one which he naturally takes himself to be. The rest of the film is a revealing portrayal of how Mason should be seen.
The Upturned Glass is a nice bit of melodramatic noir with Mason really carrying this film. His perfect performance makes The Upturned Glass seem far better than it really is.