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The Unfaithful (1947)

Approved  |   |  Crime, Drama, Film-Noir  |  5 June 1947 (USA)
6.8
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Ratings: 6.8/10 from 509 users  
Reviews: 27 user | 4 critic

Chris Hunter kills an intruder and tells her husband and lawyer it was an act of self-defense. It's later revealed that he was actually her lover and she had posed for an incriminating ... See full summary »

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(original screenplay), (original screenplay), 1 more credit »
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Title: The Unfaithful (1947)

The Unfaithful (1947) on IMDb 6.8/10

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Cast

Complete credited cast:
...
...
Zachary Scott ...
Bob Hunter
...
Paula
Jerome Cowan ...
Prosecuting Attorney
Steven Geray ...
Martin Barrow
...
Det. Lt. Reynolds
Peggy Knudsen ...
Claire
Marta Mitrovich ...
Mrs. Tanner
Douglas Kennedy ...
Roger
Claire Meade ...
Martha
Frances Morris ...
Agnes
Jane Harker ...
Joan
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Storyline

Chris Hunter kills an intruder and tells her husband and lawyer it was an act of self-defense. It's later revealed that he was actually her lover and she had posed for an incriminating statue he created. Written by Daniel Bubbeo <dbubbeo@cmp.com>

Plot Summary | Add Synopsis

Taglines:

It's So Easy To Cry 'SHAME'!


Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

5 June 1947 (USA)  »

Also Known As:

Ehebruch  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(RCA Sound System)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

The original Broadway production of "The Letter" (and adapted for this film) by W. Somerset Maugham opened at the Morosco Theater on September 26, 1927 and ran for 104 performances. See more »

Connections

Version of The Letter (1940) See more »

Soundtracks

Deep Night
(uncredited)
Music by Charles Henderson
Heard in the restaurant
See more »

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User Reviews

 
Piercing the Pre-War Paradigm
13 March 2013 | by (United States) – See all my reviews

This combination of a murder mystery and post-war reclamation of Family life is Film-Noir at its definition but not in its execution. It is handled quite regularly and straightforward, aside from some very effective L.A. street scenes that evoke Noir overtones.

It's most effective in its "new" Hollywood discovering of extramarital affairs brought on by quick vows and hasty deployment by our Military. Predictably some of these quick, for convenience Marriages could not hold true, especially for the left alone "War Widows" who had little time to fall deeply in love with their Husbands.

The mystery and courtroom part pales in comparison to the social drama and infidelity conundrums, and it is the deconstructing psychology of this unfortunate situation that compels this to above average Cinema. Eve Arden's accurate understanding insight and delineation speech is quite a mid 1940's welcome revelation to Movie audiences. It was this very seldom open discussion about private affairs that elevates this one and moves it to the periphery of Film-Noir.


6 of 7 people found this review helpful.  Was this review helpful to you?

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