Rip MacCool has learned early in life that "money talks" (and other stuff walks), as does the audience via flashbacks, and when he arrives in San Francisco, he has no qualms about being ... See full summary »
In Kentucky just after the Civil War, the Hayden-Colby feud leads to Jed Colby being sent to prison for 15 years for murder. The Haydens head for Nevada and when Colby gets out of prison he heads there also seeking revenge. The head of the Hayden family tries to avoid more killing but the inevitable showdown has to occur, complicated by Lynn Hayden and Ellen Colby's plans to marry.
Jack La Rue
The Liberal Kansas area is in trouble. The town is without a Marshal and the nearby farmers are unable to grow crops due to the summer drought and trail riders that run cattle over their land. Bat Masterson arrives to bring law and order and his Deputy accidently finds a variety of wheat that will withstand the drought. But the farmers are giving up and leaving and Bat must convince tham to stay. He wants them to continue farming and also help round up the local gang of outlaws. Written by
Maurice VanAuken <firstname.lastname@example.org>
The American Film Institute Catalog of Feature Films, 1941-1950, incorrectly omits sixth credited Steve Brodie as Logan Maury, and mixes up the roles played by Billy House, Virginia Sale and Harry Woods. They are correct as listed above. (After being advised of the error, the American Film Institute added Steve Brodie to the cast list and now has the correct list in its Catalog.) See more »
Although the official credits and publicity for the movie state Masterson's middle name as Bartley, it was actually Barclay. Randolph Scott introduces himself correctly as William Barclay Masterson to Billy House's Carmody character when he initially enters town. See more »
I am a huge Randolph Scott fan, so I was surprised and disappointed to find he is barely in this film! The movie really belongs to Robert Ryan, who is the hero in the jam, and the one embroiled in the love triangle. Good grief, Gabby Hayes gets more screen time than Mr. Scott in this movie!! For many viewers, that is not a problem, but I am from the Walter Brennan school of sidekicks, not Gabby Hayes...although I will say that his lines were a bit more humorous than annoying in this film than in many of his films with Randolph Scott and John Wayne.
Personally, I found the movie very slow going, with a convoluted plot that was muddied even more by the unnecessary romance subplot. By convoluted, I don't mean impossible to understand or figure out, I just mean too messy for its own good.
The direction is uninspired, and the two main bad guys have the most unsatisfying come-uppance at the end. The whole movie comes across as fake, unrealistic, and poorly filmed.
Just so you don't think I can't find anything good here...
On the plus side, Anne Jeffreys is very sexy in her all-too-brief parts of this film. Not sure if it is actually her singing, or someone else, but whoever it was had a very pretty voice. Ms. Jeffreys also had a couple of nice acting moments. The script needed either a lot more of her, or to remove her character altogether. As it was, her nice few moments weren't enough to help the film.
Lastly, there is Mr. Scott. He looks fantastic in this film and is the no-nonsense lawman out to set things right. Some folks complain that his characters prior to 1950 were too goody-goody perfect, but that's never bothered me at all. I'll take him goody-goody pre-1950, or gritty and violent post-1950...either way, Randolph Scott was a real Western hero.
It saddens me to have to say it, but I would have to recommend passing this film by, unless you are a die-hard fan...there are so many better Scott films out there that this one won't be missed.
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