A young writer goes to Wiesbaden to write about gambling and gamblers, only to ultimately become a compulsive gambler himself. Losing all his wealth, as well as his moral fibre, he commits ... See full summary »
In 1902 London, unhappily married Philip Marshall meets young Mary Gray, who is unemployed and depressed. Their deepening friendship, though physically innocent, is discovered by Philip's ... See full summary »
Bachelor Harry Quincey, head designer in a small-town cloth factory, lives with his selfish sisters, glamorous hypochondriac Lettie and querulous widow Hester. His developing relationship ... See full summary »
A man is found murdered, with witnesses convinced about the woman they saw leaving his apartment. However, it becomes apparent that the woman has a twin, and finding out which one is the killer seems impossible.
Olivia de Havilland,
Upon discovering his fiancée Tollea has been kidnaped, Ramu and his friend Kado set out for a Pacific isle where all strangers are to be killed on arrival and the inhabitants, who are ... See full summary »
Pierre Martel is a brilliant lawyer in Paris who has fallen in love with a ravishing Italian girl, Sylvia Sorrego and they take up housekeeping on a luxurious scale beyond his means, and ... See full summary »
Universal announced that they wanted Ferde Grofé Sr. to write a symphony for the picture. It's unknown whether he wrote anything, but the concert piece actually featured is "New England Symphony" based on the music from "Lydia" (1941). See more »
attempt at copying the Gainsborough films from England
This American attempt to copy the style and contents of those British Gainsborough period pieces starring the likes of James Mason, Stewart Granger, Margaret Lockwood and Phyllis Calvert among others.. Only this time the coast of Maine is standing in for Cornwall, beautiful and wasted Ella Raines stands in for Margaret Lockwood, the not so memorable Robert Hutton is replacing either Mr Mason or Mr Granger and Phyllis Calvert is standing in for Phyllis Calvert in her first of only a few unsuccessful American movies. It's another period piece about a rich American family and a beloved servant who endears herself to them and the beautiful but nasty rich woman who marries into the family. The oxygen is supplied in support by the now forgotten stunning Miss Helena Carter of INVASION FROM MARS fame. She with her striking good looks and overly sophisticated voice adds a bit of nastiness and snobbery to the whole proceedings as that rich nasty woman. But the film just doesn't work.
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