On trial for murdering his girlfriend, philandering stockbroker Larry Ballentine takes the stand to claim his innocence and describe the actual, but improbable sounding, sequence of events that led to her death.
A man who spent his formative years in prison for murder is released, and struggles to adjust to the outside world and escape his lurid past. He gets involved with a cheap dancehall girl, ... See full summary »
On trial for murder, Larry Ballentine regurgitates an unbelievable story. He recounts how he philanders with other women while his rich, loving wife Greta tries to keep him in line. According to Larry, his girlfriend Verna dies accidentally in a car crash and his distraught wife tosses herself over a cliff after he runs out on her. The jury has a tough decision on this one. Written by
Gary Jackson <firstname.lastname@example.org>
When RKO re-released this in 1957, they cut it down from 95 minutes to 80 minutes, for more convenient double-billing, a typical practice at that time, especially for RKO. Turner Classic Movies repeatedly shows the 80 minute version, despite the fact that the 95 minute version has been restored and is marketed on DVD. See more »
At one of the cuts between shots when Greta is helping pack Larry's suitcase for his trip to Montreal, the suitcase changes from open to closed and Greta's position changes from hands resting on the suitcase to arms crossed. See more »
[referring to Verna]
She looked like a very special kind of dynamite, neatly wrapped in nylon and silk. Only I wasn't having any. I'd been too close to one explosion already. I was powder shy.
See more »
Great performances from the four leads make this noirish melodrama a stand-out. Cast against type, Robert Young gives one of his finest performances (far more interesting than that in Crossfire), subtly giving his role of philandering but strangely sympathetic heel a depth which may perhaps go by unnoticed by some. Rita Johnson, in the minimal screen time alloted her, is likewise able to intimate complexities of character which imbue her role of manipulative wife with a touching frailty.
The shortened re-release version (which I viewed in a colourized copy) has been cleverly edited to leave the plot intact, but with 15 minutes of cuts significant elements of character development (all-important in a film of this type) have been sacrificed. The deletion of part of the scene at Nicks dilutes the initial warmth of the relationship between the Young and Jane Greer characters. And a concert scene which shows up the petulant nature of the Susan Hayward character has been deleted altogether. Other elements deleted from the re-release print are some of the opening remarks made by Frank Ferguson, and some dialogue between Young and Hayward when they are in his car on the way to her apartment.
38 of 41 people found this review helpful.
Was this review helpful to you?
| Report this