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T-Men (1947)

7.1
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Ratings: 7.1/10 from 1,481 users  
Reviews: 31 user | 24 critic

Two US Treasury agents hunt a successful counterfeiting ring.

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Title: T-Men (1947)

T-Men (1947) on IMDb 7.1/10

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Nominated for 1 Oscar. See more awards »
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Cast

Complete credited cast:
Dennis O'Keefe ...
Dennis O'Brien aka Vannie Harrigan
Mary Meade ...
Evangeline
Alfred Ryder ...
Tony Genaro aka Tony Galvani
Wallace Ford ...
The Schemer (as Wally Ford)
...
Mary Genaro
...
Moxie
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Storyline

United States Treasury agents O'Brien and Genaro infiltrate a counterfeiting ring which has some dangerously good paper. This is supposedly based on several actual Treasury cases. Written by Erik Gregersen <erik@astro.as.utexas.edu>

Plot Summary | Plot Synopsis

Taglines:

The raw, savage, sceen-searing story of the treasury's tough guys! See more »

Genres:

Drama | Film-Noir | Crime

Certificate:

Approved | See all certifications »
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Details

Country:

Language:

|

Release Date:

15 December 1947 (USA)  »

Also Known As:

T-Man  »

Filming Locations:

 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

The ship in the final sequence is referred to as the Higgins. John C. Higgins is the film's screenwriter. See more »

Goofs

Although the ship in the final sequence is described in dialog as the Higgins, the name visible on the ship's bow is the San Anselmo. See more »

Quotes

The Schemer: How did you find me?
Dennis O'Brien: I could smell you.
See more »

Connections

Referenced in Remington Steele: Now You Steele It, Now You Don't (1985) See more »

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User Reviews

 
The narration holds it back
8 March 2006 | by (BC) – See all my reviews

Shot and structured in a quasi-documentary style, this low budget noir from Eagle Lion pictures succeeds more than it fails, but still manages to fall just short. It takes awhile for it to heat up but when it does it shouldn't disappoint fans of hard-boiled and tough talking crime pictures. Much credit must go to Charles McGraw, who elevates the film to a higher level the minute he appears. Everything about this man bespeaks of film noir, and here as the head torpedo he's as nasty as they come.

What shoots this picture in the foot is the jumpy plot structure which is constantly filled in with unneeded voice over. The psychological inner workings and tension fail to ebb and flow every time the narrator fills in the blanks. With a bigger studio throwing more money at it this film might have been one of the A list classics, but made on the cheap as it was it remains just a better than average B movie.


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