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One Wonderful Sunday (1947)
"Subarashiki nichiyôbi" (original title)

 -  Drama | Romance  -  June 1982 (USA)
7.3
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Ratings: 7.3/10 from 1,388 users  
Reviews: 21 user | 21 critic

Yuzo and his fiancée Masako spend their Sunday afternoon together, trying to have a good time on just thirty-five yen. They manage to have many small adventures, especially because Masako's... See full summary »

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Title: One Wonderful Sunday (1947)

One Wonderful Sunday (1947) on IMDb 7.3/10

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Cast

Complete credited cast:
Isao Numasaki ...
Chieko Nakakita ...
Atsushi Watanabe ...
Yamamoto
Zekô Nakamura ...
Dessert Shop Owner
Ichiro Namiki ...
Street Photographer
Toppa Utsumi ...
Street Photographer
Ichirô Sugai ...
Yamiya, the black-marketeer
Masao Shimizu ...
Dance Hall Manager
Tokuji Kobayashi ...
Overweight apartment receptionist
Shiro Mizutani ...
Waif
Aguri Hidaka ...
Dancer
Midori Ariyama ...
Sono, Yamiya's mistress
Katao Numazaki ...
Bakery Owner
Toshi Mori ...
Apartment Superintendent
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Storyline

Yuzo and his fiancée Masako spend their Sunday afternoon together, trying to have a good time on just thirty-five yen. They manage to have many small adventures, especially because Masako's optimism and belief in dreams is able to lift Yuzo from his realistic despair. Written by Jim Beaver <jumblejim@prodigy.net>

Plot Summary | Add Synopsis

Genres:

Drama | Romance

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Details

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Release Date:

June 1982 (USA)  »

Also Known As:

Wonderful Sunday  »

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Runtime:

Sound Mix:

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

The film's climax was considered a failure in both Japan and the U.S. as audiences refused to clap for the lead characters, though supposedly it went over very well in France, gaining much audience participation. See more »

Quotes

Masako: All you people, applaud. All you young lovers, applaud for your dreams.
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User Reviews

 
Brilliant In Its Simplicity
30 July 2008 | by (Cincinnati, OH, United States) – See all my reviews

With this warm and uplifting film, the effect Kurosawa achieves is in the simplicity. The story is threadbare. Two lovebirds try to spend a Sunday together in post-war Tokyo and enjoy themselves with only 35 yen in their pockets. Kurosawa never ceases to amaze me because of his incredibly acute comprehension of the visual effects of a story. The simpler the story is, the more it becomes simply a day in their lives. The more it becomes a day in the life, the more upsetting we find the challenges facing them because of the Occupation and the crumbling economy at the time.

It's almost like a lightweight version of The Lost Weekend. There are no debilitating problems like alcoholism or writer's block. There are just obstructions and inconveniences with which the characters can either roll or stew around.

One Wonderful Sunday is a beautiful slice of life from a time that could be many different times in many different places. It's a peaceful movie about the peace that is always there for a given person, their journey being to find it. I have rarely seen a sequence so beautifully crafted on film as the two lovers in the empty, decaying concrete exterior auditorium, where one resolves to create the music they have been struggling to hear. There is hardly a handful of filmmakers living today that would think of such a thing. Kurosawa may have had the clearest, purest understanding of cinema out of any filmmaker.


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