In 1865, the cadets of a Russian Naval Academy ship have shore leave in Morocco; among them is (fictionalized) future composer 'Nicky' Rimsky-Korsakov. In search of a piano, Nicky and ... See full summary »
An industrialist (Joseph Cotton) and a pianist (Joan Fontaine) meet on a trip and fall in love. Through a quirk of fate, they are reported dead in a crash though they weren't on the plane. ... See full summary »
When Clementi Suborin is found murdered, his secretary recounts to the police the story of his rise from Czech refugee to ultra-rich New Yorker. The tale of betrayal, womanising and fraud ... See full summary »
Yvonne De Carlo,
Zsa Zsa Gabor
Gilliatt, a fisherman-turned-smuggler on the isle of Guernsey, agrees to transport a beautiful woman to the French coast in the year 1800. She tells him she hopes to rescue her brother from... See full summary »
Tillie and Augustus Winterbottom are thought to be missionaries when they arrive to find Phineas Pratt trying cheat the Sheridans out of her father's inheritance, including a ferry ... See full summary »
The singing/dancing Angel sisters, Nancy (Dorothy Lamour), Bobby (Betty Hutton), Josie (Diana Lynn) and Patti (Mimi Chandler), aren't interested in performing together, and this plays havoc... See full summary »
Mary Stevens (Kay Francis) and her old friend Don Andrews (Lyle Talbot) find themselves graduating from medical school at the same time. They decide to set up their respective medical ... See full summary »
In 1865, the cadets of a Russian Naval Academy ship have shore leave in Morocco; among them is (fictionalized) future composer 'Nicky' Rimsky-Korsakov. In search of a piano, Nicky and singing ship's doctor Klin meet a family of once-wealthy Spanish colonists...and their daughter Cara who secretly dances in a cabaret. Romantic complications ensue, but Nicky seems less interested in Cara's favors than in inspirations for his future masterpieces. Written by
Rod Crawford <firstname.lastname@example.org>
Biography films are an odd genre; composer films are in a class by themselves. Facts are brushed aside blithely in this film. Korsakov was in the navy and wrote some music while aboard ship. That is the total agreement with history of this film. Add to this the vision of poor Yvonne De Carlo's out-takes of nearly falling over while dancing and you have one of the lamest composer movies ever. So why is this movie so much fun? I think it's the Viennese operetta feel of the piece: logic should never intrude on fun. And Eve Arden's dry delivery doesn't hurt either.
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