Angie Evans, fast-rising nightclub singer, interrupts her career to marry struggling songwriter Ken Conway. When Ken lucks into a career as chart-topping radio crooner, Angie is forced into...
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Jane Froman (Susan Hayward), an aspiring songstress, lands a job in radio with help from pianist Don Ross (David Wayne), whom she later marries. Jane's popularity soars, and she leaves on a... See full summary »
Deprived of a normal childhood by her ambitious mother, Katie, Lillian Roth becomes a star of Broadway and Hollywood before she is twenty. Shortly before her marriage to her childhood ... See full summary »
It's Tulsa, Oklahoma at the start of the oil boom and Cherokee Lansing's rancher father is killed in a fight with the Tanner Oil Company. Cherokee plans revenge by bringing in her own wells... See full summary »
Emily Blair is rich and deaf. Doctor Vance, who grew up poor in Blairtown, is working on a serum to cure deafness which he tries on Emily. It doesn't work. Her sister is carrying on an ... See full summary »
Kathy leaves the newspaper business to marry homicide detective Bill but is frustrated by his lack of ambition and the banality of life in the suburbs. Her drive to advance Bill's career soon takes her down a dangerous path.
Angie Evans, fast-rising nightclub singer, interrupts her career to marry struggling songwriter Ken Conway. When Ken lucks into a career as chart-topping radio crooner, Angie is forced into idle luxury which proves her downfall. Her potential alcoholism burgeons and Ken remains clueless concerning his responsibility for her problems. Written by
Rod Crawford <email@example.com>
This earned Susan Hayward the first of her five Academy Award nominations for Best Actress. She would only win the Oscar on her fifth attempt with "I Want to Live!" (1958) See more »
Angelica 'Angie' 'Angel' Evans Conway:
I read someplace from the Chinese or the Egyptians or somebody. It said these are the three worst things: to lie in bed and sleep not; to wait for one who comes not; to try to please and please not. They all fit me, don't they?
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"Life Can Be Beautiful, How Do I Know? Somebody Beautiful Just Told Me So"
In the Citadel Film Series, The Films of Susan Hayward, the authors put forward the proposition that if The Lost Weekend had not come out the year before and carried all the awards it won, Smash-Up: The Story of a Woman might have garnered a lot more acclaim and maybe an Oscar for Susan Hayward.
As it is the film got two Oscar nominations for Best Story by Dorothy Parker and Frank Cavett and for Best Actress for Susan Hayward. It was Hayward's first of five nominations and she lost to Loretta Young for The Farmer's Daughter. That in itself was an upset because odds-makers had Rosalind Russell the favorite for Mourning Becomes Electra. Rounding out the field were Dorothy McGuire for Gentleman's Agreement and Joan Crawford for Possessed.
At the time Smash-Up came out there were hushed rumors going around that this film was based on the troubled marriage of Bing Crosby and Dixie Lee. Having just read a biography of Gene Autry that came out last year an equally good case can be made for it being modeled on his first marriage to Ina Mae Spivey. Especially since Lee Bowman's character starts out as a cowboy singer and branches out as Autry was doing right about that time.
In any event the story has Susan Hayward as a lounge singer who falls in love with another singer Lee Bowman and marries him and they have a daughter. Bowman's career surges ahead of her's and she's left at home bored and raising the daughter they both love. She turns to drink and with that come all the attending problems. How they're resolved you'll have to see Smash-Up: The Story of a Woman to find out.
The musical score was written mostly by Jimmy McHugh and Harold Adamson and two songs really stand out. The theme song Life Can Be Beautiful and another terrific ballad I Miss That Feeling. The latter was recorded by Tony Martin for Mercury Records, I've not heard a commercial recording of the former.
Bowman and Hayward were dubbed by vocalists Hal Derwin and Peg LaCentra respectively. The voices perfectly suit the players.
In the supporting cast Marsha Hunt should be singled out as the agent's secretary carrying the Olympic torch for Bowman. Even though he doesn't notice her, she sure gets Hayward's back up and they have one outstanding chick fight in a powder room.
Still the film belongs to Susan Hayward as the girl from Erasmus Hall High School in Brooklyn was taken seriously as an actress for the first time in her career. After Smash-Up no one took Susan Hayward any other way.
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