Angie Evans, fast-rising nightclub singer, interrupts her career to marry struggling songwriter Ken Conway. When Ken lucks into a career as chart-topping radio crooner, Angie is forced into... See full summary »
In New York, after seven years in prison, the lawyer Max Monetti goes to the bank of his brothers Joe, Tony and Pietro Monetti and promises revenge to them. Then he visits his lover Irene ... See full summary »
Joseph L. Mankiewicz
Edward G. Robinson,
Eugene O'Neill's updated version of the Orestaia. In New England, after the American Civil War, a war-weary Agamem--er, Ezra Mannon comes home to his unhappy wife (Christine) and loving ... See full summary »
Emily Blair is rich and deaf. Doctor Vance, who grew up poor in Blairtown, is working on a serum to cure deafness which he tries on Emily. It doesn't work. Her sister is carrying on an ... See full summary »
Angie Evans, fast-rising nightclub singer, interrupts her career to marry struggling songwriter Ken Conway. When Ken lucks into a career as chart-topping radio crooner, Angie is forced into idle luxury which proves her downfall. Her potential alcoholism burgeons and Ken remains clueless concerning his responsibility for her problems. Written by
Rod Crawford <email@example.com>
Probably Susan Hayward's best film...too bad it's mostly forgotten
There is a lot to like about this film and it's sure a shame that it's not better-known. Unfortunately, Miss Hayward was later given an Oscar for her WAAAAAY over the top performance in I WANT TO LIVE, whereas she only was nominated for this film. Oddly, Loretta Young won for THE FARMER'S DAUGHTER, a kooky and not particularly deep film--in my opinion Hayward definitely deserved the award. Perhaps she lost since she was a relative newcomer.
The reason I liked the film so much was that it was an excellent study of alcoholism as well as the contribution an enabling spouse can have on the drinking. This aspect of alcoholism was not explored in the award-winning LOST WEEKEND, plus LOST WEEKEND ended on a very unrealistic and overly optimistic note that just didn't ring true. In most ways, SMASH-UP was a better film (though the scenes of Ray Milland having DTs were incredible).
By the way, if you liked this film and want to see an even better film on drinking and a destructive relationship, try DAYS OF WINE AND ROSES--perhaps the best study of alcoholism ever put on screen.
11 of 11 people found this review helpful.
Was this review helpful to you?