| Holger Löwenadler | ... | Kapten Alexander Blom | |
| Anna Lindahl | ... | Alice Blom | |
| Birger Malmsten | ... | Johannes Blom | |
| Gertrud Fridh | ... | Sally | |
| Naemi Briese | ... | Selma | |
| Hjördis Petterson | ... | Sofi (as Hjördis Pettersson) | |
| Lasse Krantz | ... | Hans | |
| Jan Molander | ... | Bertil | |
| Erik Hell | ... | Pekka | |
| Åke Fridell | ... | Variety hall owner | |
| Douglas Håge | ... | Customs officer (scenes deleted) | |
| rest of cast listed alphabetically: | |||
| Ami Aaröe | ... | Young girl at the beach (uncredited) | |
| Torgny Anderberg | ... | Man (uncredited) | |
| Ingmar Bergman | ... | Man wearing a beret at the funfair (uncredited) | |
| Rolf Bergström | ... | Blom's companion (uncredited) | |
| John W. Björling | ... | Older man (uncredited) | |
| Ingrid Borthen | ... | Girl on the street (uncredited) | |
| Gustaf Hiort af Ornäs | ... | Blom's companion (uncredited) | |
| Svea Holst | ... | Woman present at the arrest of Blom (uncredited) | |
| Kiki | ... | Dwarf (uncredited) | |
| Uno Larsson | ... | Older man with glasses and hat (uncredited) | |
| Peter Lindgren | ... | Foreign sailor (uncredited) | |
| Gunnar Nielsen | ... | Young man at the beach (uncredited) | |
| Charles White | ... | Black sailor (uncredited) | |
Directed by | |||
| Ingmar Bergman | |||
Writing credits(in alphabetical order) | ||
| Ingmar Bergman | ||
| Martin Söderhjelm | play | |
Produced by | |||
| Lorens Marmstedt | .... | producer | |
Original Music by | |||
| Erland von Koch | |||
Cinematography by | |||
| Göran Strindberg | |||
Film Editing by | |||
| Tage Holmberg | |||
Production Design by | |||
| P.A. Lundgren | |||
Production Management | |||
| Allan Ekelund | .... | production manager | |
Sound Department | |||
| Sven Josephson | .... | sound (as Sven Josephsson) | |
| Lars Nordberg | .... | sound | |
| Per Lönndahl | .... | sound assistant (uncredited) | |
Other crew | |||
| Alva Lundin | .... | title designer (uncredited) | |
| Gerd Osten | .... | script supervisor (uncredited) | |
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| The Legend of 1900 | The Barbarian Invasions | Mutiny on the Bounty | Love in the Time of Cholera | Master and Commander: The Far Side of the World |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Sweden section |
But it's not one of his best. The characterizations of the film's protagonists are inconsistent from scene to scene and some of them leave a viewer with many unanswered questions (like the mother's motivations.) Beyond that, the cinematography is pretty dowdy, particularly the exterior footage.
Still, it has elements that Bergman fans will recognize from his more famous films, and it contains sequences of despair and anguish that can haunt a viewer days later. Birger Malmsten, who plays the lead character Johannes and who will be seen in several later Bergman films, is immensely likable and compelling as the hunchback son who finally stands up to his despotic father. While many of the early Bergman films are uninteresting at almost every level ("Port of Call," for instance) this one is well worth a look for the hard core Bergmaniac, if you can find it.