Twenty years after his triumphs as a freshman on the football field, Harold is a mild-mannered clerk who dreams about marrying the girl at the desk down the aisle. But losing his job ... See full summary »
Twenty years after his triumphs as a freshman on the football field, Harold is a mild-mannered clerk who dreams about marrying the girl at the desk down the aisle. But losing his job destroys that dream, and when he finds a particularly potent drink at his local bar, he goes on a very strange and funny rampage (with a lion in tow). Written by
When Diddlebock is reaching for Jacky's lead on the ledge, the overhead shot from behind shows Jacky's legs close to the wall. The closer shot (from the front) shows Diddlebock reaching between Jacky's legs, with Jacky's feet now on the edge. See more »
[when asked to prepare Harold's very first alcoholic beverage]
You arouse the artist in me.
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This film drags in some parts, and Lloyd I think puts off some modern viewers. The first time I watched it I thought it was the film equivalent of seeing Ali vs. Andre the Giant. But Sturges' brilliance is in here, and the degree to which it is derived from Lloyd is paid homage to in a wonderful, dark, surreal way. How can you not love a film that starts with the last moments of Lloyd's The Freshman and then shows the hero turned into a mail room stooge who gets buried by the corporate system? The ending is wonderfully hypnotic, happy? Well as is always the case, the poor down trodden guy figures out how to operate the machine just enough to produce his own deus ex machina. Sturges and Lloyd look more brilliant and visionary than ever from the vantage point of post-Enron, MCI, etc.
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