In the late 1800s, Miss Pilgrim, a young stenographer, or typewriter, becomes the first female employee at a Boston shipping office. Although the men object to her at first, she soon charms...
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Temperamental saloon singer Freddie Jones, jealously shoots at her cheating boyfriend Blackie but mistakenly hits Judge Alfalfa J. O'Toole's honorable behind, forcing her to skip town under the guise of a schoolteacher.
Actress Judy Carroll, from the gas-house district has been trained, educated and developed so well by her manager, that not even the publicity-seeking world of the theater has guessed her ... See full summary »
Radio singer Glory Eden is publicized as the ideal of American womanhood, in order to sell the sponsor's product Ippsie-Wippsie Washcloths. In reality, Glory would like to at least sample ... See full summary »
Glamorous Lorry Jones, the toast of a Missouri military canteen, has become "engaged" to almost every serviceman she's signed her pin-up photo for. Now she's leaving home to go into ... See full summary »
In the late 1800s, Miss Pilgrim, a young stenographer, or typewriter, becomes the first female employee at a Boston shipping office. Although the men object to her at first, she soon charms them all, especially the handsome young head of the company. Their romance gets sidetracked when she becomes involved in the Women's Suffrage movement. Written by
Daniel Bubbeo <email@example.com>
Decca recorded three songs from the Ira Gershwin score, substituting Judy Garland for Betty Grable: two duets by Garland and Dick Haymes, "For You, For Me, For Evermore" (lacking the verse Haymes crooned in the film) and "Aren't You Kinda Glad We Did?" (with a couple of different phrases from the movie rendition), along with a Garland solo, "Changing My Tune." See more »
This film is a post-war notice to women (who had been 'minding the store' while all the guys were over- seas)--that they just might have some choices. Not a strong statement to be sure--but surprising in its way. Not surprising is that Hollywood chose Betty Grable to represent the modern woman in this period picture. Betty was (in 1947) the highest salaried woman in the United States--and a box office champion (at a time when women really pretty much dictated what movies we were going out to see). So it is not Betty Grable the famous pin-up you are seeing (though she is also present, but under more wraps than usual)--it is Betty Grable the successful woman--who was a role model for women at that time in a way. They cared that she was glamorous, married, had children and a career--and was a hell of an entertainer. This film is charming and presents a slightly softened Betty--but a resourceful and independent Betty. As is so often the case, the resolution of the film is not a true triumph--but we are talking about the 1940's--so they took the ball as far as they felt they could. I like this film. I hope that you will, too. Betty and a great bunch of character actors will give you a really pleasant ninety minutes or so.
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