In the late 1800s, Miss Pilgrim, a young stenographer, or typewriter, becomes the first female employee at a Boston shipping office. Although the men object to her at first, she soon charms... See full summary »
Mae Doyle comes back to her hometown a cynical woman. Her brother Joe fears that his love, fish cannery worker Peggy, may wind up like Mae. Mae marries Jerry and has a baby; she is happy but restless, drawn to Jerry's friend Earl.
The title river unites a farmer recently released from prison, his young son, and an ambitious saloon singer. In order to survive, each must be purged of anger, and each must learn to understand and care for the others.
Broadway partners Vicky Lane and Dan Christy have a tiff over Christy's womanizing. Jealous Vicky takes up with her old flame and former dance partner, Victor Price, and Dan's career takes ... See full summary »
Singers Lorelei Lee and Dorothy Shaw travel to Paris, pursued by a private detective hired by the disapproving father of Lorelei's fiancé to keep an eye on her, as well as a rich, enamored old man and many other doting admirers.
In the late 1800s, Miss Pilgrim, a young stenographer, or typewriter, becomes the first female employee at a Boston shipping office. Although the men object to her at first, she soon charms them all, especially the handsome young head of the company. Their romance gets sidetracked when she becomes involved in the Women's Suffrage movement. Written by
Daniel Bubbeo <firstname.lastname@example.org>
Decca recorded three songs from the Ira Gershwin score, substituting Judy Garland for Betty Grable: two duets by Garland and Dick Haymes, "For You, For Me, For Evermore" (lacking the verse Haymes crooned in the film) and "Aren't You Kinda Glad We Did?" (with a couple of different phrases from the movie rendition), along with a Garland solo, "Changing My Tune." See more »
This is a first class musical. Several of the songs have become standards and continue to turn up in Gershwin orchestral compilations and in the repertoires of top cabaret artists. Ira Gershwin's lyrics for this show were among his wittiest ever.
Betty Grable and Dick Haymes are in great voice. separately and in duet.
The scenes in the boarding house peopled by eccentrics were highly original and very funny.
It is inconceivable that this film has not been released on VHS or DVD, and that there is no CD of the soundtrack.
It is my hope that some connoisseur of show tunes in the music business, like Michael Feinstein, will press for its release in some form.
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