In the late 1800s, Miss Pilgrim, a young stenographer, or typewriter, becomes the first female employee at a Boston shipping office. Although the men object to her at first, she soon charms... See full summary »
When billionaire Jean-Marc Clement learns that he is to be satirized in an off-Broadway revue, he passes himself off as an actor playing him in order to get closer to the beautiful star of the show, Amanda Dell.
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Broadway partners Vicky Lane and Dan Christy have a tiff over Christy's womanizing. Jealous Vicky takes up with her old flame and former dance partner, Victor Price, and Dan's career takes ... See full summary »
In this chronicle of a vaudeville family, Myrtle McKinley (class of 1900) goes to San Francisco to attend business school, but ends up in a chorus line. Soon, star Frank Burt notices her ... See full summary »
Mae Doyle comes back to her hometown a cynical woman. Her brother Joe fears that his love, fish cannery worker Peggy, may wind up like Mae. Mae marries Jerry and has a baby; she is happy but restless, drawn to Jerry's friend Earl.
In the late 1800s, Miss Pilgrim, a young stenographer, or typewriter, becomes the first female employee at a Boston shipping office. Although the men object to her at first, she soon charms them all, especially the handsome young head of the company. Their romance gets sidetracked when she becomes involved in the Women's Suffrage movement. Written by
Daniel Bubbeo <email@example.com>
Decca recorded three songs from the Ira Gershwin score, substituting Judy Garland for Betty Grable: two duets by Garland and Dick Haymes, "For You, For Me, For Evermore" (lacking the verse Haymes crooned in the film) and "Aren't You Kinda Glad We Did?" (with a couple of different phrases from the movie rendition), along with a Garland solo, "Changing My Tune." See more »
This is a first class musical. Several of the songs have become standards and continue to turn up in Gershwin orchestral compilations and in the repertoires of top cabaret artists. Ira Gershwin's lyrics for this show were among his wittiest ever.
Betty Grable and Dick Haymes are in great voice. separately and in duet.
The scenes in the boarding house peopled by eccentrics were highly original and very funny.
It is inconceivable that this film has not been released on VHS or DVD, and that there is no CD of the soundtrack.
It is my hope that some connoisseur of show tunes in the music business, like Michael Feinstein, will press for its release in some form.
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