In the late 1800s, Miss Pilgrim, a young stenographer, or typewriter, becomes the first female employee at a Boston shipping office. Although the men object to her at first, she soon charms... See full summary »
The title river unites a farmer recently released from prison, his young son, and an ambitious saloon singer. In order to survive, each must be purged of anger, and each must learn to understand and care for the others.
Mae Doyle comes back to her hometown a cynical woman. Her brother Joe fears that his love, fish cannery worker Peggy, may wind up like Mae. Mae marries Jerry and has a baby; she is happy but restless, drawn to Jerry's friend Earl.
Broadway partners Vicky Lane and Dan Christy have a tiff over Christy's womanizing. Jealous Vicky takes up with her old flame and former dance partner, Victor Price, and Dan's career takes ... See full summary »
In this chronicle of a vaudeville family, Myrtle McKinley (class of 1900) goes to San Francisco to attend business school, but ends up in a chorus line. Soon, star Frank Burt notices her ... See full summary »
In the late 1800s, Miss Pilgrim, a young stenographer, or typewriter, becomes the first female employee at a Boston shipping office. Although the men object to her at first, she soon charms them all, especially the handsome young head of the company. Their romance gets sidetracked when she becomes involved in the Women's Suffrage movement. Written by
Daniel Bubbeo <email@example.com>
This was the first Betty Grable vehicle not to achieve major-hit status following her assent to stardom in Down Argentine Way (1940). Twentieth Century-Fox executives blamed the mild box office on the rather genteel appearance of Miss Grable, sporting darker-blonde hair and failing to display her renowned legs. See more »
This is a film intriguing for many reasons. It has an uneasy postwar relationship with women in the workplace. It stars Bety Grable in an uncharacteristic role, and reveals Dick Haymes to be possessed of such a rich voice that he really missed the career boat as a vocalist. There is also a fascinating uncredited early appearance by Marilyn Monroe, and a star-studded list of contributors, including choreographer Hermes Pan. But what makes this film especially notable is the Gershwin music. Kay Swift's work with Ira Gershwin, from notebooks and unfinished sketches for various projects left by George Gershwin at his death in 1937, produced a complete posthumous score, the first for a motion picture.
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