In the late 1800s, Miss Pilgrim, a young stenographer, or typewriter, becomes the first female employee at a Boston shipping office. Although the men object to her at first, she soon charms... See full summary »
Mae Doyle comes back to her hometown a cynical woman. Her brother Joe fears that his love, fish cannery worker Peggy, may wind up like Mae. Mae marries Jerry and has a baby; she is happy but restless, drawn to Jerry's friend Earl.
The title river unites a farmer recently released from prison, his young son, and an ambitious saloon singer. In order to survive, each must be purged of anger, and each must learn to understand and care for the others.
Betty Grable and Dan Dailey are a married song and dance team who cannot have children. The movie follows the travails as they try and adopt and keep the kids they adopt while performing on their TV show.
In the late 1800s, Miss Pilgrim, a young stenographer, or typewriter, becomes the first female employee at a Boston shipping office. Although the men object to her at first, she soon charms them all, especially the handsome young head of the company. Their romance gets sidetracked when she becomes involved in the Women's Suffrage movement. Written by
Daniel Bubbeo <firstname.lastname@example.org>
The Shocking Miss Pilgrim was born when Ira Gershwin might have been doing some spring cleaning and came on some old unpublished music of his late brother George. From that both a score came and a movie for that score, The Shocking Miss Pilgrim who shocked Boston by becoming a professional woman, a Type Writer.
Betty Grable is in the title role and she's graduated from a secretarial school in New York and she gets assigned to Boston to a shipping firm headed by Dick Haymes. Haymes is a proper Bostonian of the time and believes the woman's place is in the home. Eventually he'd like to see Grable in his home, but not in the office. When he tries to reject her, his sister suffragette Anne Revere interferes and Betty starts a career there on this newfangled machine called a typewriter.
As the first one in Boston, a city loath to break any traditions she's a hero to the women's suffrage movement, not something Dick is ready to deal with. Of course it all works out in the end and in a most peculiar manner too.
Of these trunk songs that Ira Gershwin developed for the film, For You For Me Forevermore and Aren't You Kind Of Glad We Did became posthumous hits for brother George. Both are duets in the film sung by Grable and Haymes. Dick recorded them for Decca with his usual singing partner Helen Forrest, but Betty as per Darryl Zanuck's ban on his stars recording never put these down on wax. A pity too, they're both presented quite nicely.
The Shocking Miss Pilgrim got very good reviews but did not do well at the box office. Grable's fortune was her legs and we got barely a glimpse of them in this film.
Fortunately we can still enjoy a musical literally born in a trunk.
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