In the late 1800s, Miss Pilgrim, a young stenographer, or typewriter, becomes the first female employee at a Boston shipping office. Although the men object to her at first, she soon charms... See full summary »
Mae Doyle comes back to her hometown a cynical woman. Her brother Joe fears that his love, fish cannery worker Peggy, may wind up like Mae. Mae marries Jerry and has a baby; she is happy but restless, drawn to Jerry's friend Earl.
In this chronicle of a vaudeville family, Myrtle McKinley (class of 1900) goes to San Francisco to attend business school, but ends up in a chorus line. Soon, star Frank Burt notices her ... See full summary »
Broadway partners Vicky Lane and Dan Christy have a tiff over Christy's womanizing. Jealous Vicky takes up with her old flame and former dance partner, Victor Price, and Dan's career takes ... See full summary »
The title river unites a farmer recently released from prison, his young son, and an ambitious saloon singer. In order to survive, each must be purged of anger, and each must learn to understand and care for the others.
Singers Lorelei Lee and Dorothy Shaw travel to Paris, pursued by a private detective hired by the disapproving father of Lorelei's fiancé to keep an eye on her, as well as a rich, enamored old man and many other doting admirers.
In the late 1800s, Miss Pilgrim, a young stenographer, or typewriter, becomes the first female employee at a Boston shipping office. Although the men object to her at first, she soon charms them all, especially the handsome young head of the company. Their romance gets sidetracked when she becomes involved in the Women's Suffrage movement. Written by
Daniel Bubbeo <firstname.lastname@example.org>
This film is a post-war notice to women (who had been 'minding the store' while all the guys were over- seas)--that they just might have some choices. Not a strong statement to be sure--but surprising in its way. Not surprising is that Hollywood chose Betty Grable to represent the modern woman in this period picture. Betty was (in 1947) the highest salaried woman in the United States--and a box office champion (at a time when women really pretty much dictated what movies we were going out to see). So it is not Betty Grable the famous pin-up you are seeing (though she is also present, but under more wraps than usual)--it is Betty Grable the successful woman--who was a role model for women at that time in a way. They cared that she was glamorous, married, had children and a career--and was a hell of an entertainer. This film is charming and presents a slightly softened Betty--but a resourceful and independent Betty. As is so often the case, the resolution of the film is not a true triumph--but we are talking about the 1940's--so they took the ball as far as they felt they could. I like this film. I hope that you will, too. Betty and a great bunch of character actors will give you a really pleasant ninety minutes or so.
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