This western begins with St. Louis resident Lutie Cameron (Katharine Hepburn) marrying New Mexico cattleman Col. James B. 'Jim' Brewton (Spencer Tracy) after a short courtship. When she ...
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Eddie is a very rich man who has everything he wants; money, family, success, but a car crash causes him to reevaluate the life he leads. Searching for the happiness he lost, he remembers ... See full summary »
Journalist Steve O'Malley wants to write a biography of a national hero who died when his car ran off a bridge. Steve receives conflicting reports and tales that make him question what the truth about the hero is.
Bill, Martha and their little child Hal are spending a quiet winter Sunday in their cosy house when they get an unexpected visit from Mike Nickerson and Tony Rodriguez. Mike and Tony are ... See full summary »
This western begins with St. Louis resident Lutie Cameron (Katharine Hepburn) marrying New Mexico cattleman Col. James B. 'Jim' Brewton (Spencer Tracy) after a short courtship. When she arrives in "Salt Fork, NM" she finds that her new husband is considered by the locals to be a tyrant who uses force to keep homesteaders off the government owned land he uses for grazing his cattle--the so-called Sea of Grass. Lutie, has difficulty reconciling her husband's beliefs and passions with her own. Written by
Card at beginning: This story takes place for the most part against the background of the sea of grass - that vast grazing empire which once covered the western part of north America from the great plains to the rocky mountains, and beyond. See more »
Minor entry in the Hepburn/Tracy canon is justifiably obscure. The script is long winded but not terribly deep. As far as the performances Spencer Tracy is right at home as the rigid man whose pride works to his detriment but Kate seems uncomfortable in her role and it doesn't really fit her, a wounded dignity is needed and her tough resilience is at odds with that, Margaret Sullavan would have been much better suited to the part. The basic structure of the film works against what was always so special about the pair and that's their interaction, for great swatches of this they are apart. Robert Walker shows up late in the proceeding and injects some much needed life in the picture but is gone too soon. One good piece of casting is Phyllis Thaxter as the pair's grown daughter, she bears a striking resemblance to both and really does seem as if she could be their child. The best performance in the whole show is turned in by the reliable Edgar Buchanan as the family standby, his involvement with the others is one of the few parts that doesn't feel artificial. The usually reliable Melvyn Douglas is defeated by a stick figure character. The pace of the film is too slow, this was an early film for Kazan and he still had some learning to do, and by the end it becomes a trial too sit though. Not awful but a miss.
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