This western begins with St. Louis resident Lutie Cameron (Katharine Hepburn) marrying New Mexico cattleman Col. James B. 'Jim' Brewton (Spencer Tracy) after a short courtship. When she ...
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Journalist Steve O'Malley wants to write a biography of a national hero who died when his car ran off a bridge. Steve receives conflicting reports and tales that make him question what the truth about the hero is.
Bill, Martha and their little child Hal are spending a quiet winter Sunday in their cosy house when they get an unexpected visit from Mike Nickerson and Tony Rodriguez. Mike and Tony are ... See full summary »
This western begins with St. Louis resident Lutie Cameron (Katharine Hepburn) marrying New Mexico cattleman Col. James B. 'Jim' Brewton (Spencer Tracy) after a short courtship. When she arrives in "Salt Fork, NM" she finds that her new husband is considered by the locals to be a tyrant who uses force to keep homesteaders off the government owned land he uses for grazing his cattle--the so-called Sea of Grass. Lutie, has difficulty reconciling her husband's beliefs and passions with her own. Written by
Spencer Tracy. Cattle baron . . ruthless, rugged! Katharine Hepburn. Fiery . . . fascinating gal from St. Louis! Robert Walker. Gun-shooting and gambling fool! Melvyn Douglas. He knew women! Soft words, Soft looks! See more »
Card at beginning: This story takes place for the most part against the background of the sea of grass - that vast grazing empire which once covered the western part of north America from the great plains to the rocky mountains, and beyond. See more »
Why do I get the feeling some folks know little about Spencer Tracy? For example, Kazan's alleged quote of "Tracy did not like horses and horses did not like Tracy either" (per Ciment's book). Excuse me, but how could a man who loved to play polo, which Tracy did and did a lot in his younger days and against studio wishes, not like horses? I've played polo and if you don't like horses (and they don't like you) you won't be playing the game more than once or twice. Maybe the quote was made for the more obvious reason: to justify Kazan turning out a movie that was below his abilities? If true that one of Kazan's excuses for the painful experience of directing the movie was not filming on location, I can't totally disagree, but then again a good many great films were not filmed on location, so this excuse only holds so much water. And how can one think that the movie is a "cattlemen vs. homesteaders" film? That's the setting, and it is the trigger of the conflict between the main characters, which leads to the betrayal, which is the center piece of the story, but that certainly isn't the movie. I grant you, it's not one of Tracy's best, but he does the best he can with the lame Marguerite Roberts' script. Even if this movie had been shot on location, it doesn't change the glaring fact that a bad script is still a bad script. If you believe Tracy was sleepwalking, then you have to also believe Kazan was on life support and Roberts was dead, from the neck up, while scripting this one. If Tracy's at fault for anything, it's for trying to save the film, which is more than it deserved.
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