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The Sea of Grass (1947)
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Overview
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Director:
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Release Date:
25 April 1947 (USA)
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Tagline:
Spencer Tracy. Cattle baron . . ruthless, rugged! Katharine Hepburn. Fiery . . . fascinating gal from St. Louis! Robert Walker. Gun-shooting and gambling fool! Melvyn Douglas. He knew women! Soft words, Soft looks! more
Plot:
The highly melodramatic western begins with St. Louis resident Katharine Hepburn marrying New Mexico cattleman Spencer Tracy after a short courtship...
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Sea of soap
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Cast
(Cast overview, first billed only)| Spencer Tracy | ... | Col. James B. 'Jim' Brewton | |
| Katharine Hepburn | ... | Lutie Cameron Brewton | |
| Robert Walker | ... | Brock Brewton | |
| Melvyn Douglas | ... | Brice Chamberlain | |
| Phyllis Thaxter | ... | Sara Beth Brewton | |
| Edgar Buchanan | ... | Jeff, Cook on Brewton Ranch | |
| Harry Carey | ... | Doc J. Reid | |
| Ruth Nelson | ... | Selina Hall, Sam Hall's Wife | |
| William 'Bill' Phillips | ... | Banty, Brewton Ranch Hand (as Wm. 'Bill' Phillips) | |
| Robert Armstrong | ... | Floyd McCurtin (Brewton's attorney) | |
| James Bell | ... | Sam Hall, Homesteader | |
| Robert Barrat | ... | Judge Seth White, Salt Fork | |
| Charles Trowbridge | ... | George Cameron | |
| Russell Hicks | ... | Major Dell Harney | |
| Trevor Bardette | ... | Andy Boggs, Homesteader |
Additional Details
Parents Guide:
Runtime:
123 min
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Color:
Aspect Ratio:
1.37 : 1 more
Sound Mix:
Mono (Western Electric Sound System)
Certification:
West Germany:16 |
Argentina:Atp |
Finland:S |
USA:Approved (PCA #11861, Adult Audience) |
USA:Passed (National Board of Review) |
USA:TV-PG (TV rating)
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Fun Stuff
Trivia:
In his autobiography, Elia Kazan said of this film: "It's the only picture I've ever made that I'm ashamed of. Don't see it."
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Quotes:
Brice Chamberlain:
Why do women insist on loving men for what they want them to be instead of what they are?
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Hepburn and Tracy are woefully miscast in this ennui-inducing bore that is easily the worst of their films -- well, perhaps tied with Keeper of the Flame. The sexual tension, the battle of the sexes, that was the hallmark of their best efforts -- which were the comedies, not the dramas -- is entirely absent here. Hepburn seems uncomfortable as the naive nineteenth-century marked woman who bears her "shame" stoically and alone. Tracy, whose brilliant underplaying made him one of the masters of his craft, sleepwalks through this thing -- with the exception of the scene where his friend Doc, with his dying words, makes Tracy realize what his rigidity has cost him. The great team and their talented supporting cast are cruelly wasted in this dreary soap/horse opera.