Paul Naschy returns as El Hombre Lobo for the sixth time as he searches for a cure to his full moon maddness by visiting the grandson of the infamous Dr. Jekyll. What ensues next is a ... See full summary »
An American reporter in Japan is sent to interview an eccentric Japanese scientist working on bizarre experiments in his mountain laboratory. When the doctor realizes that the hapless ... See full summary »
A photographer and his models go to an old, abandoned castle to shoot some sexy covers for horror novels. Unbeknownst to them, the castle is inhabited by a lunatic who believes himself to ... See full summary »
The only color film to star Bela Lugosi (he appeared in a 1930 Technicolor film, Viennese Nights (1930), but did not star in it). The only other color footage of the actor is in a wartime short in which he can be seen giving blood for the war effort. See more »
Cameraman's shadow is clearly visible on the walls several times throughout the film. See more »
Dr. Joseph Van Ee:
So it is you, Leonide. I was warned you might appear, like one of you own illusions out of nowhere.
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This film falls into the "so stinkingly badly bad it's good" category and, if it isn't already, should be included in every Film School's curriculum as a shining example of how NOT to direct a movie - or even an episode of Scooby-do.
The sets and setups are very stagy and nobody moves around a lot but still there are horrendously clumsy cuts as the editor tries to make something coherent out what he was given. Characters jump from side to side on the screen and to disguise the lack of coverage there are frequent cutaways to Zucco and / or Lugosi acting their socks off "listening" meaningfully. The whole thing looks like it was done in single takes with little or no time for rehearsal. I love the way, in the opening scene, that George Zucco has to squeeze past the chair in his office when going to the window - a quick walk through before the take would have shown how stupid it looked and the chair would have been pushed a bit further in under the desk.
The script is risible - so much of it is of the "As I told you before when I was..." and "are you trying to tell me...?", and "I was just outside listening to your conversation..." lines that looks like a lot of it was made up on the spot (the whole thing smacks of actors trying to help each other out by feeding each other's lines) and is full of so many holes: who DID bean Zucco and why? Why did "Mrs. Williams" visit him in the first place? How did the dummy head get out of the locked anatomy cupboard in the cellar? Why did the 'tec have cobwebs on his shoes? What were the mysterious reasons Doctor Zucco have for saying the maid was dead when she wasn't? Why did the mysterious, PseudoScooby-Doo villain wave the mask at EVERYONE when he was only trying to scare one person? Why did the detective run out into the garden to arrest the murderer, when he had just been told the guy was in one of the secret passages in the the house's walls? How did the dwarf manage to lip read Nat Pendleton's "monkey" remark from that angle? Etc. Etc. The film just gets stupider and stupider the more you think about it.
The much discussed dead lady flashback technique looks like a desperate idea made up in the cutting room to get themselves out of holes. "Hell, what do we do now? - I know, I'll cut to the dead lady again!" Hillariously Bizarre. Definitely a film to watch with the thumb over the rewind button to get the full flavour of those "What did he just say!!!?" moments. It's the funniest thing I have seen for weeks.
Best line: "Ah, there you are Professor - I thought I just saw you out in the garden baying at the moon".
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