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Road to Rio (1947)

7.4
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Ratings: 7.4/10 from 2,240 users  
Reviews: 14 user | 17 critic

Two inept vaudevillians stow away on a Brazilian-bound ocean liner and foil a plot by a sinister hypnotist to marry off her niece to a greedy fortune hunter.

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(original story and screenplay), (original story and screenplay), 1 more credit »
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Title: Road to Rio (1947)

Road to Rio (1947) on IMDb 7.4/10

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Nominated for 1 Oscar. See more awards »
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Cast

Cast overview, first billed only:
...
...
...
...
...
Joseph Vitale ...
George Meeker ...
Sherman Mallory
Frank Puglia ...
Nestor Paiva ...
Robert Barrat ...
Stanley Andrews ...
Harry Woods ...
Ship's Purser
The Wiere Brothers ...
Three Musicians
...
Andrews Sisters
Jerry Colonna ...
Colonna
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Storyline

Scat Sweeney, and Hot Lips Barton, two out of work musicians, stow away on board a Rio bound ship, after accidentally setting fire to the big top of a circus. They then get mixed up with a potential suicide Lucia, who first thanks them, then unexpectedly turns them over to the ship's captain. When they find out that she has been hypnotized, to go through a marriage of convenience, when the ship reaches Rio, the boys turn up at the ceremony, in order to stop the wedding, and to help catch the crooks. Written by mike.wilson6@btinternet.com

Plot Summary | Add Synopsis

Taglines:

A fiesta of fun!...ON THE MERRIEST ROAD OF ALL! (original print ad - mostly caps) See more »


Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

25 December 1947 (USA)  »

Also Known As:

A Caminho do Rio  »

Box Office

Gross:

$4,500,000 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Escaping from the hoods at the wedding by bursting through the crowd, Scat shouts "Come on Blanchard" and Hotlips replies "Block 'em Davis". The audience would have recognized the reference to Felix Blanchard and Glenn Davis, former Army star running backs. As team-mates from 1944 to 1946, they were referred to as "Mr. Inside" and "Mr. Outside." Blanchard had won the Heisman Trophy in 1945 and Davis in 1946, the year before the movie was released. See more »

Goofs

Right after Harry and Tony knock each other out, Scat Sweeny takes his earring off twice. See more »

Quotes

Hot Lips Barton: [Knocking the bad guys unconscious with the pattycake routine] That's what they get for not seeing our pictures!
See more »

Connections

References Monkey Business (1931) See more »

Soundtracks

MARIA
Written by Luiz Peixoto and Ary Barroso
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User Reviews

Love the Interludes
26 March 2013 | by (Australia) – See all my reviews

"Road to Rio" is perhaps not the best of the "Road" films but I think it has the most entertaining interludes. Bing and the Andrews Sisters' rendition of "You Don't Have to Know the Language" is my favourite "Road" musical interlude. I love Bing's seemingly effortless movements and singing. Bing apparently rehearsed for many hours in order to make his dance movements look as though he had made them up on the spot. Of his singing he once said that he tried to make it seem to any man that he could sound as good whilst in the shower.His casual style masks his dedication to his craft. The Andrews Sisters performance is a match for Bing's class and style. Has any singing group sounded so right?

The second interlude is performed by the Wiere Brothers. I have never seen anything as charmingly eccentric and clever. Their routine has you guessing what they will come up with next and what comes next is unexpected and delightfully witty. I am so glad to have seen the brothers in "Road to Rio" because apparently there is very little of their routines on film.

It is also good to see Gale Sondergaard in a type of role she made her own - mysterious evil with a beautiful face and body. Disney used her as the model for the evil Queen in Sleeping Beauty. Sondergaard was to play the Wicked Witch of the West in "The Wizard of Oz" until it was decided that the witch should be ugly. Sondergaard rejected the role and she was right. Her portrayals of evil were not the ugly kind; they were sensual, sophisticated, dark and hypnotic.


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