When the Lemon Drop Kid accidentally steers Moose Moran's girl away from a winning bet, he is forced to come up with $10,000 to repay the angry gangster. Fortunately it's Christmas, a time ... See full summary »
Princess Margaret is travelling incognito to elope with her true love instead of marrying the man her father has betrothed her to. On the high seas, her ship is attacked by pirates who know... See full summary »
Peanuts White, a burlesque comic, is recruited by U.S. agents to impersonate international spy Eric Augustine (whom White resembles) in a mission to purchase a million-dollar microfilm in ... See full summary »
Scat Sweeney, and Hot Lips Barton, two out of work musicians, stow away on board a Rio bound ship, after accidentally setting fire to the big top of a circus. They then get mixed up with a potential suicide Lucia, who first thanks them, then unexpectedly turns them over to the ship's captain. When they find out that she has been hypnotized, to go through a marriage of convenience, when the ship reaches Rio, the boys turn up at the ceremony, in order to stop the wedding, and to help catch the crooks. Written by
On the Decca Records boxed album of selections from the Johnny Burke-Jimmy Van Heusen film score, substitutions were made in the way that two songs were presented. Bob Hope was under contract to Capitol Records at this point, so the Hope-Bing Crosby duet of the agile city tune, "Apalachicola, FLA," was semi-recast on the album by teaming Bing with The Andrews Sisters, already guest-starring in the movie. Dorothy Lamour, recording for the Coast label at this point, delivered in this feature the comically sly "Experience," which was transformed by Decca into a pairing of Mr. Crosby and Nan Wynn, who did not participate in the picture. See more »
When Hot Lips and Scat try to make a passenger seasick, the passenger puts his fork down twice. See more »
Although Hope, Crosby and Lamour were teaming together for the fifth time in a Road movie, the format and style remain fresh, with a greater emphasis on song and a more rigid plot-line than in its four predecessors. The interplay between the three stars continues to be a delight, and Gale Sondergaard makes for a wonderful villain, whilst the Wiere Brothers almost steal the show as a trio of Rio street entertainers whom Bing and Bob persuade to impersonate the last three members of the five-piece all-American band that they have promised to deliver into Nestor Paiva's nightclub. There are a number of hilarious set-pieces, particularly with Hope cycling on a tightrope, and a rousing and manic climax. As a result of all these fine features, "Road to Rio" is only a notch down from my favourite Road picture, "Road to Utopia".
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