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Ride the Pink Horse (1947)

7.3
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Ratings: 7.3/10 from 871 users  
Reviews: 25 user | 13 critic

In the bordertown of San Pablo, preparing for an annual 'Mexican Fiesta,' arrives Gagin: tough, mysterious and laconic. His mission: to find the equally mysterious Frank Hugo, evidently for... See full summary »

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(screenplay), (screenplay), 2 more credits »
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Title: Ride the Pink Horse (1947)

Ride the Pink Horse (1947) on IMDb 7.3/10

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Cast

Cast overview, first billed only:
...
...
Rita Conde ...
Carla
Iris Flores ...
Maria
Wanda Hendrix ...
Pila
Grandon Rhodes ...
Mr. Edison
Tito Renaldo ...
Bellboy
Richard Gaines ...
Jonathan
...
Marjorie Lundeen
Art Smith ...
Bill Retz
Martin Garralaga ...
Barkeeper
Edward Earle ...
Locke
Harold Goodwin ...
Red
Maria Cortez ...
Elevator Girl
...
Frank Hugo
Edit

Storyline

In the bordertown of San Pablo, preparing for an annual 'Mexican Fiesta,' arrives Gagin: tough, mysterious and laconic. His mission: to find the equally mysterious Frank Hugo, evidently for revenge; or is it blackmail? FBI agent Retz is also after the elusive Hugo. Everyone in town is enigmatic, especially Pila, a mystical teenager who follows Gagin around and has premonitions of his death. Also involved are a classic femme fatale and an antique carousel with a pink horse... Written by Rod Crawford <puffinus@u.washington.edu>

Plot Summary | Plot Synopsis


Certificate:

Approved | See all certifications »
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Details

Country:

Language:

|

Release Date:

8 October 1947 (USA)  »

Also Known As:

Do Lodo Brotou uma Flor  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

"Lux Radio Theater" broadcast a 60 minute radio adaptation of the movie on December 8, 1947 with Robert Montgomery, Wanda Hendrix and Thomas Gomez reprising their film roles See more »

Quotes

Gagin: I'm nobody's friend. The man with no place.
See more »

Connections

Remade as The Hanged Man (1964) See more »

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User Reviews

 
One you can't stop watching
5 February 2005 | by (United States) – See all my reviews

I saw this film when I was a young boy when it first came out in 1947 but didn't truly appreciate it till I saw it on TCM the other night again. I agree with all your commentators as to its enigmatic mystery and its possible shortfalls attributable to Montgomery vis a vis Bogart. I found the dialogue and the monologues gripping. In later looking this movie up here I discovered why: the script was by Ben Hecht (of Front Page fame). No wonder it was so great. As many of your commentators point out (and very perceptively too) the individual performances of Gomez, Hendrix, Clark, etc. were all splendid, not to forget Montgomery himself. But TCM must have edited the film or else I fell asleep watching it: I definitely did not see Gomez being beaten up by anyone while being watched by uncomprehending children. That part was definitely not in the version that I watched, sad to say. One of the strongest parts of the film was the disillusionment and cynicism expressed by the Montgomery character against patriotism, and WWII and its profiteers in typical film-noir fashion. Also strikingly evocative and disturbing was the final scene in which the innocent-appearing and passive Hendrix character finally opens up to her friends and re-enacts the events of the film in a vivacious and cynical way to show her friends how sophisticated she is after all. What a dash of cold water in the face of those who expected a romantic ending between two such repressed characters who made a specialty out of never showing their emotions. A great, great movie.


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