In the bordertown of San Pablo, preparing for an annual 'Mexican Fiesta,' arrives Gagin: tough, mysterious and laconic. His mission: to find the equally mysterious Frank Hugo, evidently for... See full summary »
Lorenzo, who's 16 and born to a wealthy family in Parma, tries to make things right toward a showgirl, Aida, whom his older brother has mistreated. In extending kindness and standing up for... See full summary »
A woman imbued with naturalistic and libertarian theories leaves her city home to live in the countryside with her young son. There she meets a litigious farmer who fights against the banks... See full summary »
After another cardiac arrest, Armand knows he doesn't have long to live. But after more than 70 years in the same house, he doesn't want to die anywhere else. His wife, Rose, has secretly ... See full summary »
Jean Pierre Lefebvre
J. Léo Gagnon,
Marcel, recently released from prison, attempt to rebuild his relationship with his girlfriend Julie (now a prostitute) and especially his father Albert (who thinks he's been away on a long... See full summary »
Catherine, a concert pianist, is surprised one night by the arrival of her best friend from childhood, Marie-Alexandrine (Max), whom she hasn't seen for 25 years. Catherine and Max were ... See full summary »
In the bordertown of San Pablo, preparing for an annual 'Mexican Fiesta,' arrives Gagin: tough, mysterious and laconic. His mission: to find the equally mysterious Frank Hugo, evidently for revenge; or is it blackmail? FBI agent Retz is also after the elusive Hugo. Everyone in town is enigmatic, especially Pila, a mystical teenager who follows Gagin around and has premonitions of his death. Also involved are a classic femme fatale and an antique carousel with a pink horse... Written by
Rod Crawford <email@example.com>
In the climactic scene in Hugo's hotel room, Pila is standing right behind the seated Gagin with her hand on his shoulder. But whenever we cut to the reverse angle, she is completely out of the shot. See more »
She has a dead fish where her heart ought to be.
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The main title card reads, "as LUCKY GAGIN in RIDE THE PINK HORSE." The film's title is in far smaller type than the character name. See more »
It is really unfortunate that this film is not available on video. Until it has more exposure, it will remain as obscure as its title. A prime example of the "sleeper", "Ride the Pink Horse" should be regarded as a singular member of the Noir canon. The film features "classic" noir elements: the femme fatale (with an interesting twist--are there two of them?), revenge motivation, an overall feeling of fatalism and impending doom, dark cinematography dominated by shadows and a solitary, enigmatic protagonist. What makes "Ride the Pink Horse" so unique is mainly its setting: a small Mexican town and an ongoing festival. Director Montgomery apparently shot the film during what looks like an authentic fiesta, with its images of ancient gods and rituals. This adds to the feeling of remoteness and mystery that characterize this movie. The title refers to a merry-go-round horse, and it is actually spoken at one point: the Mexican girl asks Lucky Gagin which horse she should ride. His response seems arbitrary and perhaps this ties in with the meaning of the film--our choices and connections happen by chance, yet they can dictate our entire lives. Gagin has come to the town on a single-minded mission of revenge, yet by the end everything has changed and been influenced by circumstances he could not have foreseen. "Ride the Pink Horse" has an archetypal Noir style: many scenes are shrouded in shadow or filmed in silhouette; most characters are ambiguous in their intent. All the actors are good: especially Thomas Gomez, who was nominated for an Academy Award for Best Supporting Actor, and Fred Clark as a devious and nearly deaf villain. The beautiful Wanda Hendryx lends appropriate mystery to the Mexican girl. There is a lovely and evocative score using what sound like real Mexican tunes assembled by Frank Skinner.
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