5.8/10
63
5 user 1 critic

Reet, Petite, and Gone (1947)

| Musical
Old-time musical star Schyler Jarvis, now wealthy, is dying; his last act is a visionary plan for the future happiness of his son, swing bandleader Louis Jarvis, and Honey Carter, daughter ... See full summary »

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(story) (as William Forest),
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Cast

Complete credited cast:
...
June Richmond ...
June
Milton Woods ...
Sam Adams
Bea Griffith ...
Honey Carter / Lovey Linn
David Bethea ...
Dolph the butler
Lorenzo Tucker ...
Henry Talbot
Vanita Smythe ...
Rusty
Mabel Lee ...
Mabel
Dots Johnson ...
Michaels
Pat Rainey ...
Pat Rains
Rudy Toombs ...
Hal
J. Louis Johnson ...
Joe Lillard ...
Lt. Jerome
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Storyline

Old-time musical star Schyler Jarvis, now wealthy, is dying; his last act is a visionary plan for the future happiness of his son, swing bandleader Louis Jarvis, and Honey Carter, daughter of his long-lost love. But crooked lawyer Talbot has a nefarious scheme to get his hands on the Jarvis money...and it doesn't include any happiness for Louis and Honey. Plenty of swing from Louis Jordan's Tympany Five. Written by Rod Crawford <puffinus@u.washington.edu>

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african american | See All (1) »

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Musical

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Did You Know?

Goofs

In the song "Let the Good Times Roll", Louis Jarvis sings "Hey y'all/ Tell everybody/ Mr Jordan's in town" and points to himself. He should sing "Mr Jarvis is in town", as that is his character's name. See more »

Quotes

Rusty: But you could learn to love me, darling.
Louis Jarvis: I can't afford the lesson!
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Soundtracks

WHAM, SAM! (DIG THEM GAMS)
(uncredited)
Written by Louis Jordan
Performed by Louis Jordan with his Tympany Five and uncredited female dancer
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User Reviews

 
Disappointing Louis Jordan vehicle
4 March 2002 | by (Paris, France) – See all my reviews

Even if you are a die-hard Louis Jordan fan, as I am, and can't get enough of his jumpin' jive, this very low-budget movie will leave you yawning. The very basic (and not too funny) script is basically an excuse to cram as many Jordan numbers as possible, which is fine by me. But there is no direction to speak of, no rhythm in the editing, basically, nothing going on visually. The last song, which is supposed to be a Broadway musical number, doesn't even have any dancing at all ! As it is, "Reet, Petite and Gone" is at least interesting on one point : it seemed to be aimed exclusively at black audiences, and as such, they were not deemed worthy enough to deserve a well made and reasonably budgeted movie - I suppose the producers thought it was good enough to have a "race records" star featured in the movie and just doing his stuff. At least, that's my interpretation...


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