Blaise Starrett is a rancher at odds with homesteaders when outlaws hold up the small town. The outlaws are held in check only by their notorious leader, but he is diagnosed with a fatal wound and the town is a powder keg waiting to blow.
A boy haunted by nightmares about the night his entire family was murdered is brought up by a neighboring family in the 1880s. He falls for his lovely adoptive sister but his nasty adoptive brother and mysterious uncle want him dead.
A cattle-vs.-sheepman feud loses Connie Dickason her fiance, but gains her his ranch, which she determines to run alone in opposition to Frank Ivey, "boss" of the valley, whom her father Ben wanted her to marry. She hires recovering alcoholic Dave Nash as foreman and a crew of Ivey's enemies. Ivey fights back with violence and destruction, but Dave is determined to counter him legally... a feeling not shared by his associates. Connie's boast that, as a woman, she doesn't need guns proves justified, but plenty of gunplay results. Written by
Rod Crawford <email@example.com>
Daily Variety reported that a Union Pacific locomotive called the "Ramrod Special" took 100 Hollywood celebrities to the February 21, 1947 Salt Lake City premiere. There the film was touted as the "official" motion picture of Utah's centennial celebration. See more »
From now on, I'm going to make a life of my own. And, being a woman, I won't have to use guns.
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She may have been tiny, but she could hard-eye stare as well as any
man, and make you believe it. It's that quality that this complex
Western turns on, and fortunately Veronica Lake delivers in spades.
It's not like she's the only good actor in the cast. There's the
reliable Joel McCrea as the good guy, the commanding Donald Crisp as
the sheriff, and Don De Fore in a sly role as McCrea's buddy, showing
both an easy grin and a tricky set of values.
Usually it's two patriarchal land barons who feud over territory. Here
it's not. It's the tiny Lake and bad guy Preston Foster who are duking
it out, both fair and foul. What makes this Western more interesting
than most is that Lake and DeFore fit somewhere between the poles of
good-guy bad-guy. You never quite know what they'll do next because
their moral compass sometimes wobbles. Being a woman with a lot of
ambition, Lake has to finagle men into doing her shooting for her, and
guess how she does that. And being a man who likes women, DeFore has
figure out how to balance his loyalties. That makes for some
Director Andre DeToth (check out his unpronounceable real name) is the
perfect overseer for a plot that features quiet treachery, hidden
motives and raw violence. Maybe that's because his middle-European
background was steeped in just trying to survive. Nonetheless, his
sardonic view of human nature reminds me of an early version Sam
Peckinpah. In fact, the latter hired de Toth to direct several episodes
of Peckinpah's brilliant TV series The Westerner (1960). In that same
vein, note de Toth's unflinching camera when filming the night battle
near movie's end and when filming the treacherous backshot on Foster's
front porch. It's clear he's bumping against Production Code strictures
on what can be shown and what can't.
Ramrod is an underrated Western with an adult story-line. You may,
however, need a score card to keep up with the various twists and
turns. Still and all, the scenery's great, the acting top-notch, and
the action where it ought to be. In my little book, that's definitely a
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