Dozens of star and character-actor cameos and a message about the Variety Club (show-business charity) are woven into a framework about two hopeful young ladies who come to Hollywood, ... See full summary »
Olga San Juan,
Outlaw Wes McQueen is sprung from jail to help pull one last railroad job. He doesn't like his new partners - except dance-hall girl Colorado - and anyway fancies Julie Ann newly arrived ... See full summary »
Cowboy Ross McEwen arrives in town. He asks the banker for a loan of $2000. When the banker asks about securing a loan that large, McEwen shows him his six-gun collateral. The banker hands ... See full summary »
A beautiful Austrian refugee in England--who is also a Nazi agent--marries a scholarly English pacifist. He lives near a secret military base she needs to get information about so she can help in Hitler's planned invasion of England.
Two female con artists from New York City, fleeing the law with loot from their latest scam, hide out in a small Maine town, near the Canadian border. However - the residents of this small ... See full summary »
William D. Russell
In rural 19th-century Indiana, the three daughters of a Civil War veteran are courted by three young men--one a sophisticated city slicker who sells phony oil stock, the second a local eccentric and the third a stolid country boy.
A cattle-vs.-sheepman feud loses Connie Dickason her fiance, but gains her his ranch, which she determines to run alone in opposition to Frank Ivey, "boss" of the valley, whom her father Ben wanted her to marry. She hires recovering alcoholic Dave Nash as foreman and a crew of Ivey's enemies. Ivey fights back with violence and destruction, but Dave is determined to counter him legally... a feeling not shared by his associates. Connie's boast that, as a woman, she doesn't need guns proves justified, but plenty of gunplay results. Written by
Rod Crawford <firstname.lastname@example.org>
This 1947 western in black and white could have been just another mediocre Joel McCrea piece of sagebrush like the dozens of Randolph Scott movies I've watched. The thing with Scott was that you had to watch a lot to find the few masterpieces. For me this was Joel McCrea's best film that I've seen yet, or certainly as good as Guns in the Afternoon (aka Ride the High Country) in which he teamed with Randolph Scott which always gets outstanding reviews. McCrea is the man of dignity, pretty much in the vein of Henry Fonda, who strides tall throughout the picture, unflinching in his view of the 'right thing to do'. It's what we've come to expect of him, but he carries it well and you just know he has that strength. What was surprising was the performance of the diminutive Veronica Lake of the iconic hair style, although you only get a glimpse near the beginning of it. Here (married to director Andre De Toth during the making of the movie) she gives a steely performance of some skill, using her sexual allure to persuade men around her to do things according to her will, and very convincing she can be. Don DeFore an actor I've not seen before, impresses as a friend to help McCrea when he's in trouble and I'm surprised with all the movies I've seen that he somehow escaped me. The great Donald Crisp, Charlie Ruggles, Ray Teal and Lloyd Bridges all appear in convincing roles. A tough, adult western I can highly recommend.
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