The epic saga of a frontier family, Cimarron starts with the Oklahoma Land Rush on 22 April 1889. The Cravet family builds their newspaper Oklahoma Wigwam into a business empire and Yancey ... See full summary »
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Two guys, sharing an apartment, meet twin girls. One is Shirley Temple grown-up, and the other is a major piece of bad news. The nice one is murdered and her boyfriend is accused of the crime. The wrong man-wrong victim plot strikes again.
Sexy beautician Clara Calhoun, who has a bookie operation in her back room, connives with her boyfriend, mob collector Duke Martin, to stage a robbery of the day's take. But the caper turns violent; a cop and Duke's partner are shot; and Duke arranges for innocent Steve Ryan, owner of the car they stole, to be framed. At first homicide detective Mickey Ferguson thinks Steve is guilty, despite his attraction to Steve's sister Rosie. And the suave but ruthless Duke won't hesitate to keep it that way with more of his perfumed bullets... Written by
Rod Crawford <firstname.lastname@example.org>
Re-titled, and edited down to less than thirty minutes, it was sold to television in the early 1950's as part of a syndicated half hour mystery show. See more »
When Detective Ferguson is reading Duke Martin's criminal record, it shows Duke's Date of Arrest as 7-2-44, but his Date of Birth as 11-14-44, implying that he was arrested 4 months before he was born. See more »
Tight Noir Crime film, bogged down by weak script.
John Ireland's portrayal of a cold obsessed killer is the best thing in this movie. His performance is edgy, sexy and menacing. A brutal thug who loves his gun. Unfortunately he is hampered by a weak script, where his actions often make little sense. (For instance, why would he contact the sister of the suspect he framed?). Jane Randolph is also strong as the moll, although her character seems to change midway through the movie.
One of the first noir films directed by Anthony Mann, the movie is well shot, fast paced, tightly edited and tough. One wishes the focus could have stayed on Ireland, or, alternatively, the strong scenes of Ed Kelly being framed and pushed around by the cops. Mann will better develop these themes in his later films (noirs and westerns). Still a pretty enjoyable movie and a must for film noir fans.
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